K
EN
P
OWELL
N
OT LONG AGO
, I wrote in these pages
about issues facing the Bangladesh
GLBT community (“Activism Strug-
gling to be Born,” Nov.-Dec. 2013), having
worked there for many years. When I returned
to the UK last year, I wondered how much
British Asians identified with these problems
and what others they have to deal with.
British Asians live between two worlds.
Most are second- or third-generation, born in
the UK rather than abroad. But much of their
cultural heritage is fixed firmly in India, Pak-
istan, or Bangladesh and is thus quite foreign
to Britain. Most still have family in Asia, and
some British Asian men will go back to marry
a woman chosen by their family and bring her
back to the UK. But in these countries of
South Asia, homosexuality is taboo, if not ac-
tually illegal. According to
The Sunday Times
last year, a recent poll in Pakistan found that
only two percent of the population believed
homosexuality should be accepted by society.
A Gallup poll in Britain in 2009 found that
none of the 500 British Muslims interviewed
believed that homosexuality was “morally ac-
ceptable.” In India, section 377—a law from
the days of British rule making homosexuality
illegal—was thrown out by a high court ruling
in 2009 but then reinstated by the Supreme
Court in 2013, leaving a trail of legal confu-
sion. Thus Asian Brits who are gay live in a
country that’s broadly tolerant but tend to
come from families and communities that
frown on their sexual orientation.
Not surprisingly, this leads to distress and
even psychological damage for many British
Asian GLBT people. Research by Dr. Rusi
Jaspal of the Department of Psychology at
Royal Holloway, University of London,
looked into the lives of gay British Asian men
of Pakistani origin and found that this divided
identity is a huge issue that can produce seri-
ous psychological problems, especially for
those trying to be gay and Muslim. Most of his
participants in interviews felt guilty and be-
lieved they were doing something wrong.
While some rejected their Islamic faith to rec-
oncile this contradiction, others struggled to
meld the two. Fear of physical violence and
even “honor killings” have led some to keep
their sexual orientation a secret.
But things are not all doom and gloom. Lit-
tle by little, gay British Asians are feeling
more confident and safer about coming out.
Slowly, this community is becoming more vis-
ible. I talked with three men who are active in
the UK with promoting acceptance of the gay
people in Asian society and awareness of the
issues of living between multiple cultures.
Bobby Tiwana (BT, below), with a Punjabi
Sikh background, is a cultural activist who
creates live performances and is currently pro-
ducing a play about same-sex love in Asian
communities. His work evolved out of a proj-
ect involving interviewing British Asian gays
and lesbians to record their story. This led to
his blog, Safar (which means “journey” in
Hindi), and to continuing work to demystify
taboos and make these stories culturally visi-
ble. Bobby’s partner, Dr. Abhi Shetty (AS), a
Hindu born in Bangalore who moved to the
UK ten years ago, is a consulting psychiatrist.
Khakan Qureshi (KQ), a Muslim, is the
founder of Finding a Voice, a Birmingham
group that meets in the heart of the city and
welcomes people of any faith, background,
or disability.
Ken Powell:
Bobby, why did you create the
Safar project and were you surprised by what
you heard?
BT:
I was inspired by a visit to Bangalore in
2011 when I met a group of educated, middle-
class gay men who had come out openly and
yet enjoyed good relationships with their fami-
lies. I wanted to see such openness in the UK.
I interviewed a number of GLBT people in
2012 because I felt the stories needed to be
heard, and Safar is part of this. Sowing the
seeds that “we exist” in the media is so impor-
tant. I found such a strong sense of survival
from the interviewees, of resilience, and of
making lives work. People need to see this. It
is important to create positive role models and
for gay British Asians to realize that even
holding hands with someone is activism.
There were many surprises. The single
largest group who contacted me were gay
Muslim women. I interviewed a couple of
women living together in Coventry—one is a
Sikh and the other a Muslim. Traditionally,
these are two completely separate communi-
ties yet they are in a relationship together and
living peacefully in the same street as the
Sikh’s family. Similarly, I met a Bangladeshi
Muslim woman wearing a hijab who talked of
liking blond women! We see a veiled woman
and imagine what she must be thinking, but
this woman turned that notion on its head.
KP:
We tend to think of Islam being against
homosexuality. Is it possible for gay British
Muslims to retain their faith? What about non-
Muslims?
KQ:
Of course, there are those in life who
give up the faith completely and seem to ac-
cept or acknowledge that being Muslim and
gay is not permissible in the Qu’ran. But there
are GLBT Muslim people who come together
in a charitable organization called Imaan,
based in London, for social activities, retreats,
conferences, and workshops in an attempt to
seek answers about how their sexual orienta-
tion fits in with Islam. In my own organization
we have Sikhs, Muslims, atheists, and agnos-
tics, and we discuss the problems of faith. The
key issues faced by gay Asians—and gay
Muslims in particular—concern the question
of how you can be both Muslim and gay, feel-
ings of guilt that one’s sexual desires are
“
haram
” (forbidden), and dual discrimination
of Islamophobia and homophobia.
BT:
Activities like going to the temple in the
Coming Out Twice: Gay and Asian in the UK
INTERNATIONAL SPECTRUM
28
The Gay & Lesbian Review
/
WORLDWIDE
to close.
Lawn-tennis
may have left one other trace. Nijinsky’s bal-
let
Jeux
(1913) has a tennis-playing threesome at its core.
Those dance historians aware of Mourey’s play have said point-
blank that there is no connection between it and Nijinsky’s cho-
reography. I’m not so sure. The music for the ballet was
commissioned by Claude Debussy. He and Mourey were
friends and collaborators, the former providing libretti and lyri-
cal texts for the latter. Nijinsky, on the look-out for subjects for
an up-to-date ballet, was attracted to tennis because of its up-
wards swinging movements. He also hoped to create gender
confusion by dancing in toe shoes; this idea was negated, al-
though in performance he did wear a red tie, international
badge of cruising males.
Debussy may, as a joke, have mentioned Mourey’s
Lawn-
tennis
to the impresario Sergei Diaghilev. We know that Di-
aghilev, with his homophilic predilections and fondness for
scandal, would have preferred the trio to be all male. Ultimately,
it was Nijinsky, who often chafed at Diaghilev’s playing “the
stronger,” who made the
ménage à trois
two women and a
youth. The ballet ends with the boy and one of the girls exiting
into the shrubbery. When the composer was presented with the
scenario, he boggled at the suggestiveness. He needed to have
his fee doubled before he undertook to compose the score. If
the depiction in a ballet of modern-day heterosexual “troilism”
(three-way sex) in a ballet could shock so cultured a person as
Debussy, two women pairing off would have been unthinkable.
Audiences still needed to be shielded from lesbian love.