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DVD

&

BD

FEATURE

14

jbhifi.co.nz

SEPTEMBER

2016

DVD

&

BD

Creator Robert Kirkman agrees,

citing the actor’s performance as

crucial to Negan’s instant impact.

“The way Jeffrey Dean

Morgan portrays him is warm and

engaging, while threatening and

terrifying. You aren’t necessarily

into his actions, but his character

is going to be very well loved,

despite what he does.”

T

he sixth season of

The

Walking Dead

promised

the series’ post-apocalyptic

world would get a whole lot

bigger – and it does. Alexandria

is under threat from both the

walkers and the Wolves; another

enclave of survivors, the Saviors,

is lurking on the sidelines; Morgan

returns with a backstory episode

that fills in where he’s been;

and the group faces the horrific

consequences of their actions in

that infamous cliffhanger.

“The thing that drew me

to this show, and what’s still

being done beautifully in terms

of the narrative arc, is that it’s

an exploration of a war zone in so

many ways,” says Danai Gurira,

who plays Michonne. “It’s

really hard to have simplistic

morals and standards when

you’re dealing with a world

that’s this hostile.”

Rick, in particular, has a

lot to deal with this season.

“It’s not a good space for

Rick,” says Andrew Lincoln

of the stalwart leader’s

position. “Everything that

he’s fought for, shed blood

for, lost family for, has

been irrevocably changed.

I think that he’s powerless

for the first time since

he woke up from the

apocalypse. He’s in fear of

his life, his child’s life,

and all the people he

loves.”

A pivotal moment

in season six is the

introduction of Negan – the

ruthless leader of the Saviors,

whose weapon of choice is a

barbed wire wrapped baseball bat

named Lucille.

Jeffrey Dean Morgan says he

relished the opportunity to play

this fan-favourite character from

the comics, who made his debut

in issue 100 and is poised to top

the Governor as the series’ primo

villain.

“To play that role is kind of a

dream come true for me. It’s a

blast! It’s the most fun I’ve ever

had in my life, and horrible for

everyone else. The introduction of

Negan is hard, and I think it was

hard for us as actors. I felt like,

‘they might not like me’ – and

they don’t, as it turns out,” he

laughs.

Dean Morgan adds that Negan

walks the show’s blurred line

between who’s the hero and

who’s the villain, explaining that

it’s all a matter of perspective.

“From Negan’s perspective

he’s not a bad guy. I think what’s

different about him is kind of this

charisma and sense of humour

that he has, even though there is a

sense that he could kill you at any

given moment. There’s something

about him that will draw you

in – even if you hate him, he’ll

make you smile occasionally. He’s

different from any character I’ve

seen on the screen.”

TheWalking Dead

is one of the most watched shows in the

world, with audience numbers growing like the zombie horde

threatening Rick Grimes and his band of survivors.The season

six mid–season finale broke ratings records with 14 million US

viewers tuning in, and the second half climaxed with one of the

greatest cliffhangers inTV history.

Words: Scott Hocking

The

Walking Dead:

Season 6

is out on

September 21

H

aving served as an assistant

to makeup master Tom

Savini on George A. Romero’s

zombie classic

Day of the Dead

(1985), Greg Nicotero knows a

thing or two about bringing the

dead to ghoulish life.

He’s also a partner

in the award-

winning KNB EFX

Group (with Howard

Berger and Robert

Kurtzman), whose

experience in makeup

effects design spans almost

three decades and over 400 film

and television credits.

So who better to supervise

the plentiful zombie and gore

effects required by

The Walking

Dead

? Nicotero is also one

of the executive producers of

the show and has directed 15

episodes, including the season

six finale.

He says the average walker

makeup takes about an hour

and forty-five minutes to create.

“The writers come up with

great gags, and we collectively

continue to keep coming up

with stuff that we haven’t seen

before.

“We never do gore for the

sake of gore,” he adds. “It

always filters into the story.”