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14

core ones. Schools today have a far greater

relevance to life outside which in itself is

much more diverse.

Did you enjoy school?

I was very homesick initially – but after I’d

settled in I had a good time and made some

good friends, although I don’t think we ever

thought we were supposed to enjoy school.

I think I was the first person at the

school to own an electric guitar. My

housemaster let me keep it in a cupboard

in the Geography hut because in the

afternoons, when I was allowed to practise,

it was miles away from everyone. Eventually

there was a band in my House, Field House,

and another emerged in Mac’s. There were

actually quite a few of us into rock/pop

music – in Segar’s there was John Silver,

who was the first drummer in the band that

became Genesis.

Music in general was nowhere near as

accessible to pupils as it is today. Unless you

were a music scholar it was slightly on the

fringe of school life.

After my early attempts to learn the

organ, I started formal lessons at Teddies

aged 13 with Peter Whitehouse. I was no

prodigy and a late starter and therefore

under no particular pressure; I was allowed

to discover music at my own pace and

to find out what I liked about it in a very

relaxed way. Yes, I did exams, but they didn’t

seem especially important at the time. I

found great calm in practising the organ and

in the peace of the Chapel.

If you watch a truly exceptional individual

at work – be they a dancer, footballer,

musician, or whatever – even as a layman –

it’s always obvious that they have something

special. I knew even then that Whitehouse

had that quality. He was an incredibly skilled

musician. I was greatly influenced by him

in life as well as in music; he gave me the

confidence to try things and he continued

to do that even after I left School. He

became a lifelong friend and I am always

thankful to Teddies for that. I was so

stressed when I started School (hopefully

that’s not the case for people now) that I

thought of it as some kind of necessary and

painful rehearsal for life, but looking back

at that friendship and a couple of others

too I see that School wasn’t just ‘school’

– as in five years in brackets – because it

offered connections and possibilities which

became a very real part of my life. I didn’t

fully understand that and certainly not the

importance of my relationship with Peter

until I knew him as an adult and worked

with him, which I did extensively.

How did you launch what has been a

hugely successful career?

I had absolutely no idea what I wanted to

do, other than play the guitar and not take

up the option I had to go to university,

which my parents didn’t seem to mind

about. I left school in 1968 – so there

was no anxiety about finding a job. The

security of knowing that had a wildly

liberating effect on all of my generation.

There was an explosion of nightclubs,

boutiques, bands, hairdressers, shops etc.

It was a cultural revolution of sorts but in

the certain knowledge that if you had half a

brain you could always get a regular job if it

went wrong.

I couldn’t really imagine I would actually

earn a living in music so I messed around

a lot. Played in a couple of bands and was

a delivery driver for an off-licence. I had

half wanted to become an actor and I sort

of did to the extent that I was rescued

from the off-licence by getting a part in

Alan Bennett’s first West End play,

Forty

Years On

. (I even made a brief appearance

in

Emmerdale

). As a result of that I was

encouraged to audition for, and was offered

a place at, Central School of Speech and

Drama but I turned it down because by

then I was making a bit of a start in music

- I had session work and a recording deal

and was also studying music again. And

following on from that I began to do some

arranging and orchestrating.

My first real break came when I had a

call from the Royal Shakespeare Company

saying a director wanted to meet me. I

had played guitar for them in a previous

production so I assumed that was the

reason but it turned out he was calling

Rehearsing

Planet Earth

at the Barbican

ST EDWARD’S CHRONICLE

FOCUS ON MUSIC