record of how Martinis are compounded at the Men's Bar of the
Plaza, or how the white aproned experts fling together a Planter's
Punch at the Palace in San Francisco or how a whisky toddy is fabri–
cated at the Hurry Back in Salt Lake, the Switch Key in Fort Worth
or the Nose Paint Saloon in Durango, Colorado. These splendid
shrines have their own local customs and individual ways of doing
things, but they are not the ways of the Stork Club.
The Stork Club's drinking has never been accomplished in the
cloistered privacy of old gentleman's clubs; it has been orchestrated
to sweet music, illuminated by the heat lightning of photographer's
flashes and upholstered in broadcloth and starched linen. It has been
drinking in the grand manner, guzzling with a panache of chic and
elegance, a hoisting of crystal chalices in the secure knowledge that
the wit, beauty, chivalry and wealth of the world were doing the
identical thing at adjacent tables, each one a location of distinction
and reserved for names that make news alone. Make no mistake,
drinking at the Stork is neither a shy, anonymous nor retiring occu–
pation. It is a public rite and requires stylish gestures and the dis–
tant, barely audible accompaniment of French horns.
Do you hear the French horns calling? I do.
-L.B.
xiii: Foreword
I
j