71
and industrialist Eusebi Güell i Bacigalupi. It was commissioned in 1885 as an
extension of the Güell family’s house located on the Ramblas, and was later the
first modern building to be declared aWorld Heritage Site by UNESCO.While
restoration continues the house is only partially open (and there’s no access at
present to the famous roof terrace), but even the dramatic facade is worth
walking past to see – there’s usually a gaggle of visitors trying to take a decent
snap from the confines of the narrow street.
At a time when architects sought to conceal the iron supports within
buildings, Gaudí turned them to his advantage, displaying them as decorative
features in the grand rooms on the main floor, which are lined with dark
marble hewn from the Güell family quarries. Columns, arches and ceilings
are all shaped, carved and twisted in an elaborate style that was to become
the hallmark of Gaudí’s later works. Even the basement stables bear Gaudí’s
distinct touch, a forest of brick capitals and arches that with a touch of
imagination become mushrooms and palms. Meanwhile the roof terrace
culminates in a fantastical series of chimneys decorated with swirling patterns
made from fragments of glazed tile, glass and earthenware.The family rarely
ventured up here – it was the servants instead who were exposed to the
fullest flight of Gaudí’s fantasy as they hung the washing out on lines hung
from chimney to chimney.
The building is under long-term restoration, which isn’t expected to be
completed until
2010.Atthe time of writing, there was free access to view the
facade, ground floor and part of the basement, but with limited hours and
limited numbers allowed in at any one time, expect to queue or be given a
specific time-slot.
Església de Sant Pau del Camp
Carrer de Sant Pau cuts west through the Raval to the church of
Sant Pau del
Camp
(Mon 5–8pm, Tues–Fri 10am–1.30pm & 5–8pm, Sat 10am–1.30pm;
admission to cloister €2;
o
Paral.lel), its name – St Paul of the Field – a graphic
reminder that it once stood in open fields beyond the city walls. One of the
most interesting churches in Barcelona, Sant Pau was a Benedictine foundation
of the tenth century, built after its predecessor was destroyed in a Muslim raid
of 985 AD and constructed on a Greek cross plan. It was renovated again at the
end of the thirteenth century; above the main entrance are curious, primitive
carvings from that period of fish, birds and faces, while other animal forms
adorn the twin capitals of the charming twelfth-century cloister. Inside, the
High society at the Hotel España
There’s a hidden gem tucked around the back of the Liceu opera house, on the
otherwise fairly shabby c/de Sant Pau. Here, in the lower reaches of the Raval, some
of the most influential names in Catalan architecture and design came together at
the beginning of the twentieth century to transform the dowdy
Hotel España
(c/de
Sant Pau 9–11,
W
www.hotelespanya.com)– originally built in 1860 – into one of the
city’s most lavish addresses. With a tiled dining room designed by Lluĺs Domènech
i Montaner, a bar with an amazing marble fireplace by Eusebi Arnau, and a ballroom
with a glass ceiling whose marine murals were executed by Ramon Casas, the hotel
was the fashionable sensation of its day. It’s been well looked after ever since, and
you can soak up the atmosphere and the decor for the price of lunch (there’s a
reasonably priced
menú del dia
) or even stay the night – though it has to be said that
the rooms are nowhere near as impressive as the public areas.
EL RAVAL
|
Església de Sant Pau del
Camp