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Congratulations on the new album.

I’m enjoying it. There’s some strong

music on there.

Thank you very much. We always

start as we mean to carry on. We came

off the last album with feeling a little bit

depressed and trying to cheer ourselves

up following the loss of Jonny Brooks.

So it was a bit of a challenge, again, to

not have to think about things like that.

But where we left off on the last album,

we carried on from this album, so we’re

on a bit of a roll.

The recording of

Different Days

was

quite a change then after

Modern

Nature

?

It was hard recording

Modern Nature

;

we had to get into a different mindset.

There’s a lot of people who are spiritual

and some people aren’t, you know what

I mean? I’m quite spiritual, and Jon was.

So with this album, I had to make sure

that he was okay, or make sure in my

own head that he was okay with this

whole thing. We just had to leave

things as they were and just move

on and be happy, ‘cause that’s

what he would’ve wanted. So this

album was a lot easier for me. We

were in a good headspace.

That’s good to hear. As a band,

you have an innate ability to pick

yourselves up and keep moving

forward.

We have to. What are you meant to

do? You can’t pack in. The bandmembers

who have gone before us would’ve done

the same. They’d want you to carry on.

The name of the band was so important

to all of us - The Charlatans as a band

means so much to us. It’s not about

individual people, it’s about a collective.

We’re a collective, and everyone

who comes into this fold really, really

appreciates what The Charlatans mean.

We’ve  got Pete [Salisbury, drums] at the

moment. He came from The Verve, and

this band means so much to him too.

When you come into it, you have to be

passionate about it and that’s the whole

thing about The Charlatans. It’s very easy

for every single one of us to go off and

make a record; that’s the easy route,

really. But we’ve got five people, and

to collectively make an album which is

worth listening to is a harder cast than

one person going off and making a solo

album. We’re passionate about working

together as artists, and making a good

record.

What was the writing process like

for Different Days? Did you meet in

the studio and start writing, or did

you come together with demos and

start bouncing ideas off each other?

We all write individually; the whole

band does. We have individual ideas

and we basically bring it to the coffee

table. We sit down and work on every

single one. So we might’ve written 24,

25 tracks, and basically we just picked

the ones that worked together as a

collective. There’s a few songs that didn’t

make it, which, probably now looking at

it, should’ve. But that’s fuel for another

album. We all work together and we

appreciate everybody’s inputs; I think the

biggest thing is we respect each other.

Well, you have spent a lot of time

together - 28 years now. There’s a real

positive feel to the album. 

Well, we used to hang out a hell of

a lot together. As we’ve got older, we

don’t need to do that anymore. We just

know what each other is thinking. We

have this kind of telepathy, I suppose

- we know which way to go. I tell you

what, it’s always fun when you’ve got a

good song to work on. When you’ve got

a song that you’re not sure about, that

makes it difficult, but when a song is

good, when it’s got a great vibe, you’re

throwing yourself into it. “I want to do

a bit more”,  “I want to do this”, “I want

to do that.” We’re fighting for the studio

time to finish it off.

I think that’s what this album’s proved,

because although it sounded like it

took a long time - we went in there in

September and we finished in January -

we actually only did two weeks in each

month.  So in all, ten, twelve weeks

and it was finished. I know it sounds

a long time in a studio environment,

but it’s easily eaten up. For us,

we did it very quickly and only

because we enjoyed doing it.

When you’ve got a dodgy tune you

think is not working, we always put

it to sleep, and we just work on the

ones that do work.

I liked the spoken word and the

instrumental sections between the

tracks - it has a real ‘concept album’

feel to it. Where did that idea come

from?

Well, this is the 13

th

album. How do

we carry on? We can’t just do something

that sounds the same and feels the

same - we need to add something.

Somebody mentioned the idea of

working with our friends.  And the whole

idea [was], it’s not just about music. A

lot of our friends are poets [and]

authors, so we wanted to get them

4 3 2 1

The Charlatans

as a band means

so much to us.

It’s not about

individual people,

it’s about a

collective