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DVD

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REVIEWS

26

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APRIL

2016

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Filmmaker Ryan Coogler was determined to continue the Rocky legacy in CREED,

but not without Sylvester Stallone's blessing. He got it, and a whole lot more...

C

reed

is both a spiritual

sequel to the Rocky

franchise and a spin-off.

It’s also the first film in the series

that wasn’t written by Sylvester

Stallone, nor does it feature his

iconic boxer in the lead role.

Instead, writer-director Ryan

Coogler focuses on the son of the

late Apollo Creed, Adonis Johnson,

with an underdog story that remains

true to the winning formula.

Coogler was still in the pre-

production stages on his debut

feature,

Fruitvale Station,

when he

first approached Sylvester Stallone’s

agent to pitch the idea for a new

Rocky movie.

The rookie filmmaker was

promptly informed that Stallone

wouldn’t be interested, having

achieved closure for the franchise

with

Rocky Balboa

in 2006. But

in July of 2012, Coogler had the

opportunity to discuss his vision

with Stallone himself, whom he

describes as being apprehensive

at first.

“I hadn’t made a feature film yet,

so he was probably thinking, ‘who

is this kid coming in talking about

making a

Rocky

movie’ – something

that’s so precious to him? I told

him; honestly, I wouldn’t blame

him if he thought I was crazy. I

knew when I was pitching it to him

that it was a wild idea. But Sly’s

a smart dude; he’s an emotional

dude. He’s a thinker, you know what

I’m saying? He was thinking about

every different way this could work,

and every different way it could fail.”

The fact that this would be

an atypical Rocky movie, with

Adonis Johnson as the main

character and Rocky Balboa in a

mentoring role similar to Burgess

Meredith’s Mickey in the original,

was what resonated with Stallone,

whose blessing and input proved

invaluable.

“He had so many thoughts and

ideas. He knows Rocky Balboa

better than anybody,” Coogler says.

“He also knows more than anybody

about boxing – about the sport itself

and about how to make a movie

about it. I’d be writing scenes and

ask him, ‘What would Rocky do

here?’ He’d think about it for a

second and he’d tell me. If I

had ideas, he’d be the first

person I’d call. If he had

an idea, I’d be the first person he’d

call. It was a great collaboration.

“Creatively, we were walking

on razor blades with this movie,”

he adds. “How do we capture the

essence of

Rocky

but give people

something new, something they

haven’t seen before? How do we

show this character, who is part

of American culture, in a different

light?”

Coogler is the first to admit that

continuing the Rocky legacy comes

with great responsibility.

“It’s interesting because the

first movie I did, I was dealing with

a real person’s life. It was almost

the complete inverse of this. With

Oscar Grant [the tragic central

character of

Fruitvale Station

],

people knew who he was in the

Bay Area, though not necessarily

in other places. But he was a

real person. I had to take his life

and portray it as honestly and as

accurately as I could. There’s a lot

of weight there. With Rocky, he’s a

fictional character, but everybody in

the world knows him. And you don’t

want to be the guy who messes

it up.

“I think it’s in safe hands. I’ve

been a Rocky fan since as long as

I can remember. I know those

movies like the back of my

hand. I hope we captured

that spirit.”

How do we capture

the essence of Rocky,

but give people

something new?

THE ROCKY ROAD

A GOOD

DAY TO

DIE HARD

Jack McClane

(Jai Courtney)

proves he’s a chip off the old block

when he teams up with dad John

(Bruce Willis) to foil a terrorist plot

in Russia. Yippee-kiy-ay!

TRON:

LEGACY

Sam Flynn

(Garret

Hedlund)

enters the software program

developed by his old man (Jeff

Bridges) to battle virtual villains and

ride light cycles.

THE FLY II

Martin Brundle

(Eric Stoltz)

attempts

to reverse

his mutation before he turns into

an insect like father Seth (Jeff

Goldblum) – and fails.

INDIANA JONES AND

THE KINGDOM OF THE

CRYSTAL SKULL

Mutt Williams

(Shia LaBeouf)

is revealed to

be the son of

the legendary

archaeologist

adventurer (Harrison Ford), albeit

with none of the charm or jungle

smarts of his dad.

BIG MOMMAS:

LIKE FATHER LIKE SON

Trent (Brandon T. Jackson) dons

the fat suit to join stepdad Malcolm

(Martin

Lawrence) on

an undercover

assignment

in an all-girls

school. Double

hilarity ensues.

Creed is out April 6

LIKE FATHER,

LIKE SON

The easiest way to

keep a movie series

going is to keep it in

the family.