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C

harles M. Schulz’s beloved strips

featuring Charlie Brown, Woodstock,

Lucy, Linus and friends total almost

18,000 over a period just shy of 50 years, and have

been adapted numerous times for film and TV.

The latest big screen version comes from Blue

Sky’s Steve Martino (

Horton Hears a Who!

and

Ice Age: Continental Drift

), who has combined

his longtime love of the Peanuts characters with

his experience in animated features.

“I grew up with these characters. I started

reading the comic strip before I could read,” he

says. “My dad and I used to share a love of the

comics and he used to read them to me.

“I’ll tell you, when I first started I thought,

‘wow’, what an honour to work these with

characters.”

While Martino had the passion and expertise

required for

The Peanuts Movie

, he did face

considerable pressure from friends and family to

not “screw it up”.

“That kind of pressure is a very good

motivator,” he notes. “Certainly it’s what was

in our tank for myself and the rest of the team

at Blue Sky. We wanted to do our very best to

uphold the tradition of what Peanuts has been

for us in our lives.”

To properly honour Schulz’s legacy, Martino

and his team undertook a tremendous amount

of research.

“We had access to every comic strip. We

were looking at the art, the writing, every aspect

of what Charles Schulz created, with a level of

detail now that I never had looked at before. I felt

as though we needed to do that to deliver a film

that felt right within the world of Peanuts.”

Bringing the gang to life also involved close

collaboration with Schulz’s family and members

of his team, and the director feels he gained a lot

of friends in the process.

“It was that really good kind of working

relationship where we would challenge each

other along the way,” he says.

Martino describes working with Craig and

Bryan Schulz – Charles’s son and grandson,

respectively – as a great honour.

“Craig and Brian in particular have a real

tremendous understanding of their father’s

written word and the cadence and rhythm of that

kind of dialogue – they provided a connection to

the source material. That was so valuable for us

in the making of this movie.”

Anyone who has seen a Peanuts strip will

recognise the unique artistic style that has since

become iconic. From Pig-Pen’s omnipresent

overlapping scrawl to Snoopy reclining atop his

kennel, Martino didn’t miss a beat when it came

to translating Schultz’s signature images into

animation.

“We went to great pains to draw our

inspiration for the movie from the comic strip,”

observes the director.

“I did look at the animation styling that Bill

Melendez developed on the specials, but

everything about the writing of the film, so much

of what we did in posing and designing the look

of the world and posing the characters, for me it

came from looking at the comic strip. That was

my guide.

“Even though we’re using computer

animation, I believe that we can create an

experience that would be rich

and detailed and worthy of a

feature film presentation,”

he adds. “I told everybody

on the team I want to find

Charles Schultz’s... pen line in

everything that we do.”

visit

stack.net.au

30

jbhifi.com.au

APRIL

2016

DVD

&

BD

DVD

&

BD

FEATURE

We went to great pains to

draw our inspiration for the

movie from the comic strip

Snoopy and Charlie Brown: The Peanuts Movie is out April 6

You’re a good man,

Steve Martino

Blue Sky's Steve Martino upholds the legacy of Charles M. Schulz’s long-running comic strip

phenomenon in the new film adaptation

Snoopy and Charlie Brown: The Peanuts Movie.

By Alesha Kolbe

GARFIELD

Born in 1978, Jim Davis’s fat feline

became the world’s most syndicated comic

strip. The 2004

film version proved

less successful,

however, even with

Bill Murray voicing

the CGI cat.

THE PHANTOM

Lee Falk’s costumed crime-fighter, aka

The Ghost Who Walks, first appeared in

1936. 60 years later an

awful film adaptation

starring Billy Zane

came and went,

but the strip is still

running.

DICKTRACY

Chester Gould’s lantern-jawed detective

debuted in 1931 and is still read today,

in a world where

smartwatches are

now a reality. Warren

Beatty brought him to

life in a not bad 1990

live-action version.

DENNISTHE MENACE

Hank Ketcham’s mischievous moppet has

been playing up since 1951.

His big screen debut

came in 1993, with

Mason Gamble as

Dennis, and Walter

Matthau as neighbour

nemesis Mr. Wilson.

FROM

STRIP

TO

SCREEN