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5

... we’ve all got the music in us

W

ith bookings for the annual

Newbury Spring Festival of

classical music opening earlier

this month, (it’s encouraging to

note that 11 of this year’s concerts are already

fully-booked), this is perhaps an appropriate

time to briefly highlight the transforming power

of classical music.

Benjamin Zander, the famous conductor,

teacher and author believes everyone loves

classical music, it’s just that a lot of people

haven’t found out about it yet.

A powerful and moving illustration of his

approach to musical appreciation is available

in a TED (Technology, Education, Design) talk

he gave to an audience of 1,600 people in

California in 2008.

This short video has been viewed by more than

eight million people and is available on Youtube

(https://youtu.be/r9LCwI5iErE

).

It is well worth watching, and includes an

insightful analysis of Chopin’s popular

E minor

prelude op. 28 No. 4

(movie buffs will recognise

it from

The Pianist

and Jack Nicholson’s

rendition in

Five Easy Pieces

).

The revealing and novel

way in which Zander

deconstructs the first few

notes of the Chopin

prelude for the musical

layman is fascinating.

Incidentally, the first

musical example featured

in the talk is Mozart’s

Sonata in C major K545

.

As well as the Newbury

Spring Festival, residents in the Newbury

area are also well-served with classical music

through Southern Sinfonia.

Based in Somerset and rural Berkshire,

Southern Sinfonia recently celebrated its 25th

anniversary. They play a diverse and exciting

repertoire and present world-class

performances of the highest quality across

the South of England, all year round.

They firmly believe everyone deserves the

opportunity to experience classical music and

this conviction has led to a thriving Education

and Outreach programme, which works with

more than 6,000 local school children and

young adults a year.

Southern Sinfonia is currently hosting a

series of lunchtime Café Concerts at the Corn

Exchange, Newbury and their next concert is

on Friday, April 21.

My take on the classical music world from a

local perspective would not be complete

without a brief mention of the British composer,

Gerald Finzi (1901-1956).

Finzi is best known as a choral composer,

but also wrote in other genres. Large-scale

compositions include the cantata

Dies natalis

for solo voice and string orchestra, and his

concertos for cello and clarinet. He lived locally

for a number of years at Ashmansworth Farm,

near Newbury.

Eclogue

, composed in 1929, is a comparatively

modest movement for piano and strings and

was the slow movement of an unfinished piano

concerto that Finzi had begun in 1927-8 and

which he continued to work on until 1953. He

twice revised it, but after the abandonment of

the piano concerto was content to leave it as a

single movement.

Nevertheless it was not performed in the

composer’s lifetime, and the title was given to

it by Finzi’s executors.

Its calm serenity and quintessential

Englishness is typical of the composer’s

slow movements.

Eclogue

continues to ascend Classic FM’s

annual Hall of Fame top 300 and is at number

101 in the 2017 list.

Interestingly, three out of the top five

compositions in Classic FM’s 2017 Hall of

Fame list are by English composers.

The single most popular piece of music is

The

Lark Ascending

by Ralph Vaughan Williams.

Also by the same composer and at number

three is

Fantasia on a theme by Thomas Tallis

.

Elgar’s

Enigma Variations

is in fourth spot.

A great vote of support for English composers

and although

Eclogue

may not be in Classic

FM’s top 100, (at least not yet), it is nonethe-

less an excellent example of the transforming

effect of classical music.

For more information about the Newbury Spring

Festival turn to p37 and for a chance to win a pair

of tickets to see Voces8 plus a pre-concert dinner at

The Crown & Garter turn to p40

Gerald Finzi

Mozart