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John Cale

Fragments Of A Rainy Season

(Reissue)

Following his time in the Velvet

Underground, John Cale made

a career out of leading classical

music astray. Where his fellow

composer Lou Reed made several

nods towards the avant garde up

until his death, Cale enveloped

music’s longest standing traditions

and turned them to his own

ends. Originally recorded during

a solo tour throughout 1992,

Fragments

makes the most of

Cale's piano and voice, veering

from Springsteenian odes to

downtempo ballads; Cale plays

in the high notes and lets his

vocals fill in the lower register. At

28 tracks, there’s an expectation

Fragments

is for Cale fanatics

only, but its compositions are so

beautifully realised that any ear will

find it enthralling.

(Domino) Jake Cleland

Metallica

Hard-wired... To Self-Destruct

Since hitting pay dirt in 1991 with

Metallica

(AKA 'The Black Album'), the band that so many

championed between 1983 and1988 have been on

a slow, trying decline. Now after an eight-year wait,

Metallica present us with the 2-CD set,

Hardwired…

To Self-Destruct

. The initial singles,

Hardwired

,

Moth

Into Fire

and

Atlas, Arise!

were surprisingly solid and despite a dip here and

there, this album maintains a consistency not heard in decades. It appears

as if Metallica had something to prove this time around

not just to their

fanbase and peers, but to themselves and the legacy that the albums

Kill

‘Em All

,

Ride The Lightning

,

Master Of Puppets

and

…And Justice For

All

created. Monoliths such as Metallica may never push the envelope as

they once did, but if

Hardwired…To Self-Destruct

is any indication of the

fire that has been re-lit in their collective bellies, then I hope it burns for

a while longer. A 3-CD deluxe edition is also available, with three bonus

cover versions, the 2016 version of

Lords Of Summer

, a nine-song live set

recorded at Rasputin Music and a live version of

Hardwired

.

(Universal) Simon Lukic

visit

stack.net.au

22

jbhifi.com.au

DECEMBER

2016

MUSIC

REVIEWS

A.B. Original

Reclaim Australia

Reclaim Australia

is a political

bomb drop from the title down. In

reclaiming the title phrase itself –

“Reclaim Australia” has threatened

to become synonymous with

xenophobic, racist factions of the

Australian population – A.B. Original’s

dual MCs Briggs and Trials wield

humour and heavy bass to shred

white Australia. That this album is

necessary is heartbreaking for what

it says about the world. Samples of

politicians talking about Indigenous

Australians as “savages” don’t

feel like an anachronism, they feel

miserably current, and Archie Roach

opening the album by reflecting

on the civil rights fight makes it

clear: however long folks have been

fighting, far too little has changed.

(Golden Era/Universal)

Jake Cleland

Frank Iero and the

Patience

Parachutes

Frank Iero has mad charisma. In

case you haven’t been fortunate

enough to be privy to his evolution

already, Iero has grown to be so

much more than the ‘guitarist

from My Chemical Romance,’ no

matter how many people insist

on still referring to him as such.

Parachutes

is just as delightful as

the man himself, if not infinitely

more raw and vulnerable (see

I’ll

Let You Down

and

I’m A Mess

)

than you would ever believe

the Frank Iero character to be.

Colourful even in the face of

melancholy, Iero has delivered a

strong second LP.

(Vagrant/CookingVinyl)

Emily Kelly

Neil Young

Peace Trail

Young wrote and recorded

Peace

Trail

six months after the release

of

Earth

, and like its predecessor,

his new album tackles social and

environmental injustices head on.

Backed by session musicians

including drummer Jim Keltner and

bass guitarist Paul Bushnell, Young

pulls no punches getting stuck into

racism, biased media reporting,

unlawful police shootings and

his support of Native American

protests against the Dakota

Access Pipeline. Minimal and

often unrefined, the music swings

wildly from acoustic arrangements

to some of Young's most primitive

guitar and harmonica sounds.

This is powerful, uncompromising

rock music from someone who

really cares.

(Warner) Billy Pinnell

A Tribe Called Quest

We Got It From Here... Thanks

4 Your Service

The comeback album is a difficult

mountain to climb, but

We Got It

From Here

embodies the classic

Tribe sound: a warm and crisp

blend of US east coast hip hop

and jazz, mixed and mastered

immaculately. Instead of digging

through old mixes to find the late

Phife Dawg’s verses, the group

recruited some friends to complete

the album. Andre 3000 pops up

on

Kids

(in his best work since

Stankonia

), Anderson .Paak adds

the smoothest voice of 2016 to

Movin’ Backwards

, and Kendrick

Lamar appears on

Conrad Tokyo.

The album is a reminder of why

ATCQ are so well-respected. It

isn’t a wake or an eulogy, it’s a

celebration – one final mic drop.

(Sony)Tim Lambert

Rodriguez

Rodriguez Rocks: Live In

Australia

The enigma immortalized in THAT

doco we all cried over; Rodriguez

has vocal chords immune to age or

punishment. Recorded during his

Oz tour in 2014 (apparently eons

ahead of his most recent), it’s

clear that his sing-along ballads of

bittersweet love and observation

transcend the myth to still touch

our inner child. All the staples

are here including

I Wonder

and

Sugar Man

, as well as Sinatra’s

Learnin’ The Blues

and Jefferson

Airplane’s

Somebody To Love

, just

to mix it up and show off his taste

and ability. Crappy cover art and

a somewhat flat production value

aside, this is still a Sunday arvo

treat to wipe away fears of the

working week ahead.

(Inertia) Chris Murray