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F

our mixtapes, five EPs, and now one

rather intriguing album: Little Simz is

slaying it. The English rapper, singer and

actress has just released

A Curious Tale

Of Trials + Persons

, which showcases

her distinctive flow and sometimes coyly

mysterious, sometimes openly boisterous

and provocative lyrics. More than a few hip

hop icons have pointed her out (Kendrick

Lamar: "She might be one of the illest doing

it right now"), and we're in agreement.

happen really quick."

Lost My Head

puts the

piano with a gorgeous vibraphone break-down

and softly hooting vocals. “The chords are just

simple formations, and I’ve only been using my

left hand. It’s so I could hold the mic, with a left-

handed swagger,” Vile smiles.

There’s a lot of footage of Vile and the crew

during and after Joshua Tree, recorded by Vile’s

brother Paul – “’cause he just likes to show

up to be where the action is” – as well as

afterwards at Josh Homme’s Pink Duck studio

in Burbank. “One day we’ll put out some kind

of arty documentary with cool music. But also

more professional movies… that’s obviously the

more romantic notion, which I want to do too.

I don’t know. I just think, certain songs belong

in the end credits of the biggest movie in the

world. Every movie that comes out should have

my…” he trails off, cracking up, wondering aloud

how you even get your songs into films. “Maybe

there’s some kind of underground mafia,” he

suggests. “Like,

The Kid Stays In The Picture

kind of thing.

Kurt’s Songs Stay In The Credits

.”

visit

stack.net.au

NEWS

MUSIC

088

jbhifi.com.au

OCTOBER

2015

A

pparently Kurt Vile was reading Cormack

McCarthy’s bleak, dust-mussed Western

novel

Blood Meridian

during the recording of

B’lieve I’m Goin Down

. It fits with the scene of

the recording location – Joshua Tree National

Park, in California – but there’s a warm, crooked

smile throughout Vile’s tracks too. “[Joshua Tree]

is the place that Gram Parsons found so holy, and

all those ‘70s types go there and make music,

and trip balls, or something,” Vile chuckles. “It’s

just so chilled there, nothing stifling your brain,

or, I don’t know, your third eye or something.”

Vile says that although his last album

Wakin’

On A Pretty Daze

was also autobiographical, he

feels that

B’lieve I’m Goin Down

is suffused with

an even more honest range of emotions. “I think

maybe with this one, I’m affected by all emotions

at once in real life, in my surroundings,” he says

contemplatively. “There’s a lot of things to be

stoked about, and there’s all kinds of things that

make me sad all the time. I don’t even want to

say certain things out loud, because involving

having kids… it’s such an intense love that

it’s scary because the world is f-cked up. But

ultimately, it always ends on a positive or a funny

note. I was definitely pretty up and down making

this record.”

Vile leans more heavily on the piano on this

release, shown through the wonderful single

Life Like This

, which shuffles with sweet, calm

bombast: “Wanna live, wanna live, live a life like

mine?/ Well I’ve been doing it baby all the time/

To do so you gotta roll with the punches/ Jump

from the sweetest to the toughest of tough love,”

he sings. “Obviously I’m not an amazing piano

player but I feel it, I’m totally into it,” he tells us.

Life Like This

was really just a piano idea. Then

all of a sudden I heard all of these lyrics in my

head, then I had an idea for the guitar riff. Those

are the best kind of songs really, the ones that

kurt vile

talks life like this

big noise for

little simz

rise of

rhodes

T

o most of us, Reykjavik

is where Björk was

born and that's about

it. To hugely acclaimed

songwriter John Grant,

it's the place that saved

him from an alcohol and

drug-fuelled mental pit,

and is now his new home

(he's originally from

Denver). But don't be

fooled – Grant's new solo

album reveals a seriously sharp wit

and absolutely no fear in making

fun of himself, amongst some of

the most compelling songwriting

we've heard this year.

Grey Tickles,

Black Pressure

is out now through

Liberator.

JOHN GRANT

tickles our fancy

continued

H

e's one of the driest, most

charming cards in Australian

music – and that style is definitely

reflected in Dan Kelly's new album

Leisure Panic!

. Recorded in various

foxholes across Australia and in

London,

the gem

features a backing

band that comprises musicians who

have variously played with Augie

March, Ground Components, CW

Stoneking and Magic Mountain

Band; they manage to match Kelly's

affectionate and amusing lyrics with

aplomb.

DAN KELLY

at leisure

B'lieve I'm Goin Down

by Kurt Vile is out now through

Remote Control.

A Curious Tale Of Trials + Persons

is out now through Inertia.

Kelly and his crew are touring

throughout this month; go to

dankelly.com.au

to check dates.

F

ragility and power are the two sides

to the sword wielded by Rhodes; the

young vocalist and songwriter has so

far supported Ben Howard, Sam Smith

and London Grammar amongst others,

and the songs he played during those

appearances –

Turning Back Around

,

Breathe

and

Raise Your Love

– are

amongst the gorgeous offerings on

debut album

Wishes

. If you’ve yet to

hear this Brit’s astonishing voice, we

highly recommend you begin with the

duet single

Let It All Go

(with precocious

teen vocalist Birdy) and then pick up the

man’s album out now on Sony.