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MY
ROUSES
EVERYDAY
SEPTEMBER | OCTOBER 2015
the
Savings
issue
W
hen visitors from outside the Gulf Coast are asked
about what’s drawn them to travel to our beautiful
state, two of the inevitable answers are food and music.
Louisianians are fiercely protective of our culture, and because of
its importance to our tourism industry as well as to those of us that
love to eat and to listen to music, great strides have been made in
recent years to encourage our youth to carry on our traditions into
future generations. In 1997, when the world famous music club in
New Orleans, Tipitina’s, was faced with the choice of either closing
or moving on, local businessman and philanthropist Roland von
Kurnatowski rescued the club with the intention of using revenue
from it as a means to promote and propagate our musical heritage.
This led to the establishment in 2003 of the Tipitina’s Foundation,
and the Foundation has been giving back to our community ever
since. Foundation operations began in New Orleans and are based
there, but tremendous growth has allowed program resources to be
available through offices in Lake Charles, Baton Rouge, Lafayette,
Alexandria, Shreveport and Monroe as well.
According to Bethany Paulsen, Executive Director, the original
intention of the Tipitina’s Foundation was to use funding (all net
proceeds from operation of the club go directly to the Foundation)
to provide band instruments to New Orleans public schools. This
led to the establishment of Instruments A Comin’, a program
currently valued at over $3 million.The Foundation purchases new
instruments through partnering manufacturers and New Orleans
Music Exchange and donates them to participating schools.Ninety-
five schools across the state are currently receiving instruments, 70
of which are in New Orleans. Participating schools must follow
established guidelines for storage, repair,
use and supervision of donated equipment
in order to remain active in the program.
Needless to say, the availability of these
quality instruments and associated resources
provided by the Foundation has enabled
band directors to expand their programs
in a dramatic fashion, and in many cases,
allowed bands to even exist.
In recent years, however, the Tipitina’s Foundation has broadened
its scope by adding several wonderful initiatives. Twice a month,
at the Tipitina’s music club, Sunday Youth Music Workshops are
held, giving students a chance to build on what they’re already
learning in school by working together as well as with well-known
local professional musicians.These workshops are free and open to
any middle and high school students, and have attracted instructors
as diverse as drummer Johnny Vidacovich, Wendell Brunious of
the Preservation Hall Jazz Band, and members of Dumpstafunk,
Galactic, and the Neville Brothers. For more focused students,
the Tipitina’s Internship Program, led by artistic director Donald
Harrison, assists participants in moving forward with college plans
focused on music education and performance and/or professional
careers in music. Recently, a partnership has been forged with
the famed Berklee School of Music in Boston, which provides
scholarships to attend summer programs as well as full academic
years at Berklee. Notable alumni of this fantastic program are
Troy “Trombone Shorty” Andrews and Jon Batiste (the recently-
announced musical director of the upcoming The Late Show with
Stephen Colbert).
Other programs include Tips on the Tarmac, which provides
live music for travelers to enjoy throughout Louis Armstrong
International Airport in New Orleans, ELLA, a pro bono legal
service that assists musicians and creative professionals with
complicated issues such as copywriting and contracts, and the
Instrument Repair Initiative, whereby used instruments can
be donated and shipped free to New Orleans, where they are
refurbished (the program technician is Stafford Agee, trombonist
an
Instrument
for Change
by
Brad Gottsegen +
photo by
Erika Goldring