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Aside from Winehouse's two

studio albums

Frank

(2003) and

Back To Black

(2006), there are

a number of other audio-visual

collections out.

Amy Winehouse at the BBC

Consisting of a CD and three

DVDs, this is a thorough collection

of Winehouse's live performances

at the BBC between 2004 and 2009.

Lioness: Hidden Treasures

Winehouse's

Back To Black

producers, Salaam Remi and Mark

Ronson, put this collection together

after the singer's death; it includes

brand new songs, alternate versions

and previously unreleased tracks.

I Told You I Was Trouble: Amy

Winehouse Live in London

Filmed in 2007, this is

Winehouse's full performance at

London's Shepherd's Bush Empire.

Back To Black (Deluxe Edition)

This one has two discs; the

first is the classic album, and the

second comprises a bunch of studio

recordings including the original

demo version of

Love Is A Losing

Game

.

THE OTHER GEMS

Back To Black

, track five on

Back To Black

(2006)

This achingly melancholic belter was co-written by

Winehouse and Mark Ronson, who produced many

of the songs on

Back To Black

(alongside Salaam

Remi). It’s Winehouse’s reflection on the breakdown

of her relationship with Blake Fielder-Civil, who left the

singer to return to his his ex-girlfriend. Winehouse did

more than just write about it though – Kapadia’s film

touches on her chilly revenge.

Rehab

, track one on

Back To Black

(2006)

This is literally what happened during the first

attempt by Winehouse’s childhood friend Juliette

Ashby and manager Nick Shymansky to have her

attend a rehabilitation clinic: Winehouse’s father Mitch

attested that Amy was not unwell enough to warrant

rehab, and that was when a “chance was lost,” as

Shymansky says –

Back To Black

was not yet recorded,

and Amy could have been helped before “everyone

wanted a piece of her.”

Tears Dry On Their Own

, track seven on

Back To Black

(2006)

The melody and lyrics for the fourth single from

Back To Black

were written by Winehouse (also about

Fielder-Civil), but you’ll recognise the distinctive knocking

rattle of rimshots and background arrangement from

the 1967 classic

Ain’t No Mountain High Enough

,

recorded by Tammi Terrell and Marvin Gaye; Winehouse’s

producer Salaam Remi used the Motown hit as a sample

interpolation (not a direct sample of the original, but

played anew and aimed to sound exactly the same).

What Is It About Men?

, track eleven on

Frank

(2003)

Winehouse was 10 when her father Mitch left

the household for another woman, but in

Amy

the

patriarch admits the affair had been going on since

his daughter was just 18 months old. In

What Is It

About Men?

, Amy sifts through the formative years

during which her father was absent, and the lasting

effects of the experience.

Love is a Losing Game

, track six on

Back To Black

(2006)

The fifth single from

Back To Black

and the last

ever to be released during Winehouse’s life,

Love

is a Losing Game

is a bleeding and beautiful lament;

Kapadia uses it to punctuate the dissolution of

Winehouse’s marriage to Fielder-Civil, and the ensuing

emotional nadir which led to the vocalist’s relapse

into drug use.

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