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On the front of the canopy cthe roses in Dana’s garden bloom and cthe spotless

starling sings prettily while underneath the coat of arms of the city ‘lions are

r ampan t and ‘hearts are on fire’ in the national coat of arms, thus proving the

inspiration from many varions literary quotes.

(From A. Wassard’s memoirs »Det sode og det sure« from 1986)

COMPETITIONS AND CONTEMPORARY TASTE

Qüaint and quirky designs

At the time of construction and the period following it, it was the narrative

element in the completeness of the City Hall that was weighed and discussed and

evaluated, and not merely the apothegms and dates on the walls, bu t the entire

narrative picture book of ornamentation and architectural details.

Indeed, any monumental building can be considered a narrative, but the way

the story is told differs immensely. This fact left its mark on the discussion of

which project and which style were to win favour in the competition about who

should be given the honour of solving the assignment of constructing the City

Hall of Copenhagen, a major assignment by the standards of the time.

Right from the beginning Martin Nyrop was quite certain as to the track he

wanted to follow concerning the essential features of the internal dispositions

and the proportions in relation to the surrounding city. The basic structure and

form of the building were decided on almost from the very first draft. The

smooth outer walls, the slanting roof and square merlons were rather unostentatious

compared to other more elaborate suggestions. And where other competitors

placed the tower in line with the middle of the front facing the square, or on the

façade facing Tivoli, Nyrop’s tower was at a very early stage situated near the old

town. This disposition was meant as a landmark for the modern times outside

the old ramparts, with the City Hall Square as the future centre of activities for a

coming range of Social-Democratic mayors and radical opinions from Politikens

Hus across the square, the liberal national newspaper that functioned as the only

real competitor to the conservative paper Berlingske Tidende.

Internally Nyrop’s building was determined early on by the Banqueting Hall

facing the square and the meeting rooms of the City Council being placed in the

middle between the glass-roofed Main Hall and the garden court surrounded by

four wings of offices. Consequently this led to criticism of the fact that the internal

staircases lay far from the entrance and that the sketched Banqueting Hall

became more elongated than was architecturally common.

Titular Councillor of State Ferdinand Meldahl, Copenhagen architect and city

planner, took the lead in the criticism of the City Hall. Both he and Nyrop were

members of the Copenhagen City Council, and ultimately the fight was overall

about a Conservative versus a Social Liberal ideology manifesting itself in

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