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1 4 /1 9 7 7 E t p a r k o p p e r

S è v re s o m k r in g 1761

B lø d t p o rc e læ n , ro s a fo n d , d e k o r e r e t m e d b lå t,

g u ld o g b r o g e d e fa rv e r. S a m le t H :5 ,5 , D ia m : 9 ,5

D e k in e s is k e g e n re s c e n e r, s o m ses p å d e tte p a r

k o p p e r , a d s k ille r sig fra s tø r s te d e le n a f d e m m a n

e lle rs se r p å e u ro p æ is k p o rc e læ n fra d e n n e tid . D e

m in d e r h v e r k e n o m B o u c h e rs p ik a n te r ie r e lle r d e

s c e n e rie r, s o m m a n f in d e r p å d e t ca. 3 0 å r æ ld re

M e is s e n - p o r c e læ n . Fæ lles fo r d isse m e r e e lle r m in ­

d r e g r o te s k e c h in o is e rie r e r, a t d e e r e u ro p æ is k e

k u n s tn e r e s fa n ta s ie r o v e r d e t fje rn e o g e v e n ty rlig e

K in a . F o rlæ g g e t f o r m u s e e ts k o p p e r e r d e r im o d

u d e n tv iv l r e n t k in e s is k , h v a d e n te n d e så e r k o p ie r

e fte r C a n to n e m a lje r , p o rc e læ n e r, s ilk e - e lle r g la s­

m a le rie r.

K o p p e r n e e r s å v id t v id e s d e e n e s te a f d e re s a rt,

m e n d e r fin d e s a n d re S é v re s p o rc e læ n e r m e d d e n

s a m m e ty p e g e n re m a le ri, b la n d t a n d e t e t k a m in ­

sæ t p å fe m o b je k te r, s o m h a r tilh ø r t M a d a m e d e

P o m p a d o u r . E n lille k v a d r a tis k b a k k e m e d s a m ­

m e s k æ lm ø n s te r, fa rv e o g sc e n e ri s o lg te s im id le r ­

tid i P a ris i 1938, o g d e n n e v a r f o r s y n e t m e d m a ­

le r m æ r k e f o r C h a rle s - N ic o la s D o d in s a m t å r s b o g ­

s ta v I f o r 1761. B a k k e n o g k o p p e r n e u d g ø r e fte r al

s a n d s y n lig h e d e n h e lh e d o g h a r d a n n e t e n

déjeuner

quarré,

a f h v ilk e n ty p e d e r k u n s o lg te s e e n fra fa­

b r ik k e n m e d ro s a f o n d o g k in e s is k m o tiv . D e n

b le v s o lg t 2 5 /6 -1 7 6 2 , o g k ø b e r e n v a r M a d a m e d e

P o m p a d o u r .

14 /i977 A cup and saucer

Sèvres ca. 1761

Soft porcelain, rose-pink ground, decorated with blue,

gold and variegated colours.

Assembled H:5.5, Diam:9.5

The Chinese genre scenes on this cup and saucer differ

from the majority of those otherwise seen on European

porcelain of this period. They bear no resemblance to

either Boucher’s piquancies or to the scenes to be found

on Meissen porcelain about 30 years older. Common to

these more or less grotesque chinoiseries is that they

represent the fatasies of European artists about distant,

exotic China.

In the case of this cup and saucer, however, the motifs

are undoubtedly Chinese in origin, whether copies from

paintings on Canton enamels, porcelain, silk or glass.

As far as is known, this cup and saucer is the only one

of its kind, but other Sèvres porcelain is to befound with

the same type of genre painting, including a 5-piece

mantelshelfset that belonged to Madame de Pompadour.

However, a small square tray with the same scale pat­

tern, colour and scenery was sold in Paris in 1938, and

this carried the painter’s mark denoting Charles-Nicolas

Dodin and the date-letter I for 1761. The tray and the

cup and saucer in all likelihood once belonged together

and formed a

d é je u n e r q u a rré

of which type only one

was soldfom thefactory with a rose-pink ground and a

Chinese motif. It was sold on 25th fune 1762, and the

buyer was Madame de Pompadour.

32