2 2 /1 9 7 4 S k å l
N o r d ø s tlig e P e rs ie n , 10. å r h u n d re d e
R ø d lig le rs k æ r v d e k o r e r e t u n d e r g la s u re n m e d
h v id , b r u n o g rø d b e g itn in g . H :1 0 , D ia m :2 6 ,5
I d e t n o r d ø s tlig e P e rs ie n fre m s tille d e s i d e t 9. o g
10
. å r h u n d re d e k e r a m ik a f e n e n k e l k r a ft o g s k ø n
h e d , s o m n æ p p e e r se t sid e n . P å sk å le o g fa d e
d æ k k e t a f e n h v id b e g itn in g m a le d e p o tte m a g e r e
fra e g n e n o m k r in g N is h a p u r o g S a m a r k a n d m ø n
s tre , s o m p r im æ r t b e s to d a f d e n a ra b is k e k u f i-
s k rift. N o g e t k u n n e ty d e p å , at d e h e lt e n k le d e k o
r a tio n e r i m ø r k e b r u n t e r d e æ ld ste , m e n s m e re
e la b o re re d e s k r if tty p e r , s o m p å d e n a fb ild e d e sk å l
m e d b la d v æ r k o g fle re fa rv e r, e r lid t se n e re . D e r
fin d e s i ø v r ig t o g s å v a ria tio n e r , h v o r e n m ø r k e
b r u n b e g itn in g e r b a g g r u n d fo r h v id e d e k o r a tio
n e r, lig e s o m g rø n lig e fa rv e n u a n c e r f o r e k o m m e r .
I n d s k r if te r n e p å d e n n e ty p e k e ra m ik , s o m er
y d e r s t v e lr e p ræ s e n te r e t i m u s e e t, e r sv æ re a t læ se
p å g r u n d a f d e n s tilis e re d e f o rm . D e n e r i d e tte
tilfæ ld e ty d e t s o m : » D e n d e r tr o r p å p a g te n m e d
G u d e r g a v m ild m o d sin e u n d e r g iv n e « . A t s e n te n
s e rn e e r u d f ø r t i e n m e g e t s v æ rt o p fa tte lig k u fis k
k a llig ra fi s a n d s y n lig g ø r , a t a f ta g e r g r u p p e n h a r
v æ r e t d e n a ra b is k ta le n d e o v e rk la s s e ; d e lo k a le
k u n n e n æ p p e g læ d e sig o v e r a n d e t e n d d e n u n æ g
te lig p r a g tf u ld e g ra fis k e v ir k n in g .
22/1974 Bowl
Northeastern Persia, 10th century
Reddish clay body decorated under the glaze in white,
brown and red slip. H:10, Diam:26.5
Pottery of a simple vigour and beauty was made in
northeastern Persia during the 9th and 10th centuries
the like of which has hardly been seen since. On bowls
and dishes covered with a white slip, potters from the
region around Nishapur and Samarkand painted pat
terns based primarily on the Arabic Kufic script. It
would appear that the very simple decorations in dark
brown are the oldest, while the more elaborate types of
script - as on the bowl illustrated and incorporating
foliage and several colours - are a little later. Variants
are also known in which a dark brown slip forms the
background for white decorations, and greenish nuances
also occur.
Inscriptions on this type of pottery, which is well
represented in the Museum, are difficult to read on ac
count of the stylized form. In this case it has been inter
preted as: “He who believes in the covenant with God is
benevolent towards his dependants.” The fact that the
inscriptions are executed in Kufic calligraphy that is
very hard to interpret makes it probable that pottery of
this kind was made for the Arabic-speaking upper clas
ses. Such pleasure as the local inhabitants derived from
it must have been confined to the undeniably splendid
graphic effect.
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