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3 /1 9 6 2 K a n d e

P e rs ie n , 13. å r h u n d re d e s f ø r s te h a lv d e l

G rå h v id , h å r d tb r æ n d t s k æ rv d e k o r e r e t m e d r ø d t,

h v id t o g g u ld o v e r e n o p a k tu r k is g la s u r.

H :2 8 ,5 , D ia m :1 8

D e t e r e t b e g ræ n s e t u d v a lg a f fa rv e r, s o m k a n tåle

d e h ø je te m p e r a tu r e r v e d e n g la s u r b ra n d . M e n

o m k r in g s lu tn in g e n a f d e t

12

. å r h u n d re d e k o m

p e rs is k e p o tte m a g e r e u d e n o m p r o b le m e t v e d o g ­

så a t d e k o re r e o v e r d e n e e n g a n g b r æ n d te g la s u r,

e n f re m g a n g s m å d e , s o m d e k e n d te fra lu s tr e te k ­

n ik k e n , m e n s o m d e a ld rig h a v d e a n v e n d t til a n ­

d re fa rv e r. D e n n e ty p e k e ra m ik , d e r e r v e lre p r æ ­

s e n te r e t i D a v id s S a m lin g , k a ld e s

minai

(em a lje )

o g e r p r æ g e t a f e n in d til d a u k e n d t fa rv e p r a g t o g a f

e n o fte f ig u r r ig d e k o r a tio n , d e r k a n v æ k k e m in ­

d e ls e r o m s a m tid ig t b o g m a le ri.

D e n v is te k a n d e , h v is f o r m k la r t e r a fle d t a f

s a m tid ig e m e ta lk a n d e r, e r re t e n k e l i sin fa rv e -

h o ld n in g m e n til g e n g æ ld u d s ty r e t m e d e n re ­

lie ffris e m e d fo rs k e llig e firb e n e d e d y r s a m t e n k æ ­

d e a f 14 in d iv id u e lt u d f o r m e d e d a n s e rin d e r lig e le ­

d e s i r e lie f o g a c c e n tu e re t m e d o v e r g la s u r f a r v e r .

P å tr o d s a f K o ra n e n s f o r b u d m o d a fb ild n in g e r

a f le v e n d e v æ s n e r fin d e s d isse h e lt tilb a g e i d e n

tid lig e is la m is k e h is to r ie , d o g a ltid i v e rd s lig e

s a m m e n h æ n g e : p å b r u g s g e n s ta n d e , i fy rs te rn e s

s lo tte e lle r i d isse s illu m in e r e d e m a n u s k r ip te r.

D e n r ig t u d s m y k k e d e m in a ik e r a m ik v a r k o s t­

b a r, o g d e n b le v i s a m tid ig e k ild e r o m ta lt i s a m ­

m e n h æ n g m e d e ffe k te r a f g u ld o g sø lv .

3/1962 Jug

Persia, first half of 13th century

Grey-white, hard-fired body decorated with red, white

and gold over an opaque turquoise glaze.

H:28.5, Diam:18

Only a limited selection of colours can tolerate the high

temperatures necessary for glaze firing. But towards the

end of the 12th century, Persian potters got round the

problem by decorating over the once-firedglaze, aproce­

dure which they knew from the lustre technique but

which they had never used for other colours. This type

ofpottery, which is well represented in the David Col­

lection, is called minai (enamel) and is characterized by

a wealth of colour hitherto unknown and by a style of

decoration that is rich in figures and reminiscent of con­

temporary miniature painting.

The jug shown here, whose shape derives from metal

jugs of the same period, is fairly simple in its colouring

but on the other hand is furnished with a relieffrieze

depicting various four-legged animals and a chain of

fourteen individually delineated dancing girls, likewise

in relief and accentuated by overglaze colours.

Despite the Koran’s law against representations of

living creatures, these are to be found right back to the

earliest period of Islamic history, though always in a

secular context: on articles of everyday use, in the

palaces of princes, or in the illuminated manuscripts of

such palaces.

This richly decorated minai pottery was costly, and in

contemporary sources it is referred to in conjunction with

items ofgold and silver.

58