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8

9

Introduction

T

his book is about the School that I have come to know

very well as I have worked here since the early 1990s.

I lived locally long before I came to work here and

have been friends with many parents whose children have

gone through the School, have taught many pupils and come

to know many teachers whose company I have enjoyed in

what has always been a welcoming and entertaining Common

Room. I have given lectures about the School’s architecture and

have found out a great deal about it on the way. However, until

September of last year I must admit that I had never thought of

trying to provide a portrait of the School, largely in photographs,

in the form of a book.

I have seen other such books and have felt they often fell short

of getting to the heart of the institution they were trying to reflect

and tended to concentrate too much on smiling faces without

context, or perhaps just looked like an almost cynical compilation

of commissioned photographs – more like a prospectus than a

portrait and giving a somewhat artificial impression. I did not

want this for our School when I started work but it was not easy

to decide how to show all the facets of somewhere I was very

familiar with but of which I found I knew very little indeed in

terms of its history and the changes it has seen over its 150 years.

I have explored the Archive as much as time has

allowed, and exploited the Archivist (Chris Nathan) in a most

unreasonable way! I would like to thank Chris and Derek

Roe (Governor and OSE) as both have helped me in very

important ways. I have involved many teachers and others

by asking them to provide me with material as I wanted it

to be a book reflecting the whole community in its 150th

year. I have asked professional photographers to take some

specific pictures to augment the offerings of individuals and

older material, I hope without swamping it. I have included,

wherever possible, quotes from OSE (though I would have

liked to have had time to find many more as they have been

so interesting). In some ways, the book is a patchwork quilt of

material, both in its photography and writing, and cannot be

read with the expectation that it will be either comprehensive

or that the different styles of the contributors will not be

apparent. My aim has been to show a modern school with

character and many, many facets on the academic, sporting/

outdoors, and performing fronts. I have tried to connect this

present School with its history without getting mired in the

huge amount of information available and to make a visual

portrait without too much text. I hope that it will be a portrait

recognised equally by those at the School now and those who

left, perhaps a long time ago.

In all this, I might well have failed. I know that there

will be those who feel that I have left out many things that

I ought to have put in. Ultimately I hope that, despite such

weaknesses, everyone reading it will find photographs and

passages of text that tell stories to hold their interest. Most of

all I hope that the pictures are interesting, sometimes fun, and

often fascinating. My final hope is that everyone who opens

the book can recognise the School they know in the pictures

that have been chosen.

It is a story that carries us from small and unregulated

beginnings in limited premises without many rules or

expectations on the part of parents, except perhaps regarding

religious education and harsh discipline, to the co-ed school

that we know with its 12 Houses, each with its own character,

and high expectations from parents, teachers and pupils alike.

Nicola Hunter

Deputy Academic Director

INTRODUCTION