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138

ACQ

Volume 11, Number 3 2009

ACQ

uiring knowledge in speech, language and hearing

Figure 2. The car

Figure 3. Teddy plus

toys (Figure 3). Finally he drew a cannon, which he wanted

so he could “shoot everyone away”.

In his drawings he revealed his needs both for intimacy

(the teddy) and his need for control in the face of fears of

obliteration (the car and the cannon). This assessment led

to the development of an art and play activity which gave

him opportunity both for control and for connection with

his therapist. The activity, which extended over much of the

term, revolved around a remote-controlled Meccano car. He

wanted the car and was prepared to earn the kit by cooking

and serving lunch for the staff team (with the assistance of

the case manager). The kit consisted of 413 pieces that

he and the case manager assembled together over eight

weeks. He was more keen on driving than building the car

so a compromise was made by which he could drive the

partly built car for a while after each session of building. In

the building process, he took the role of mechanic, directing

the process, while the case manager assisted by sorting the

components and assisting with some of the fine motor tasks

that were too difficult for him.

In addition to building the car, the client and art therapist

worked together to make traffic signals (red, amber and

green) which were used in driving sessions to establish

external controls for the car. The car with wheels and a

partially finished body became an external representation

of the young person as a work in progress - who was able

to stop, start, and move around, subject to a set of non-

arbitrary external controls.

Discussion

The art therapist brings a framework that affirms the value of

art making as a means for both expression of complex

phenomena such as emotions and communication through

metaphor. While art therapy can be an intervention in its own

right, it particularly lends itself to application in a

multidisciplinary setting. Art making provides another

dimension to the verbal, behavioural, and medical

interventions that are characteristic of treatment of children

and adolescents with severe mental health problems.

The first example of the application of art therapy in a

specialist CYMHS service shows how art therapy can be

successfully integrated with a psychological intervention to

provide a rich group experience. Mindfulness is widely used

in contemporary evidence based psychological interventions

because it promotes self-awareness in a manner that is non-

threatening and typically anxiety reducing. The addition of art

therapy extends mindfulness into domains of expression and

communication. Art therapy promotes enhanced awareness

of emotions and providing a medium for communication

with peers about these emotions. In the creation of this

collaborative group activity, the art therapist and the

psychologist enhanced their practice frameworks and

created a coherent experience for participants that was both

enjoyable and an opportunity for learning and development.

The second example shows how the art therapist

can bring specific skills and techniques to the work of

case management. A core task in case management is

the development of a collaborative trusting relationship.

This enables the case manager to identify client needs,

develop a multidisciplinary treatment plan, and monitor the

effectiveness of the plan. Children with complex mental

health problems often struggle in purely verbal environments.

With such children, art and play provide a medium for

The drawn “case” then functions as a visual metaphor for

the child, making an abstract concept more concrete, and

providing the child with a way of both visually and verbally

representing him or herself. As the therapeutic engagement

develops, the art therapist as case manager invites the child

into an ongoing dialogue about the “case” using questions

such as “What have you been doing with the case this

week?”; “What do you want to get out of (put into) the case

this week?”; “How can I help you with the case this week?”

The “case” has a transitional role. It is the container of the

child’s problems, fears and worries as well as hopes and

expectations. However, it is not the whole child. The child

achieves a certain distance from the case and can join with

the case manager in working out how to deal with problems

that are either in the case or associated with the case. The

case manager is there to manage the case but not the child.

Artwork and play in assessment and the

therapeutic work of case management

The case manager is usually the primary individual therapist

(Kanter, 1989) and draws on the therapeutic framework and

repertoire of therapeutic techniques in which she or he has

been trained. When the case manager is an art therapist, it

follows that much of the individual work with the child will

utilise art therapy, as the following case illustration shows.

A 10-year-old boy with long history of severe emotional

and physical abuse and deprivation with impulse control,

attention deficit, and attachment problems was referred

to the service following multiple suspensions from primary

school. At the time of the referral he was incapable of

participating in normal classroom activities and was

spending just an hour or two each day in special one-to-

one learning activities. Even these sessions often ended in

eruptions and physically aggressive outbursts.

In the initial interview, he exhibited extreme anxiety, pacing

around the room unable to sit down at the table the art

therapist, as case manager, had prepared with art materials

on it. The case manager asked him “if you had three wishes

what would they be?” and suggested he use the big white-

board with a photocopying function to draw on – hoping

that the use of gross motor skills would dissipate his nervous

energy. He produced a car (Figure 2) including himself with

arms at the steering wheel but with no legs or foot-controls

for breaking or acceleration. He said he would like to own a

V8 with mag wheels. He then drew his second wish which

was a teddy with arms and legs and said he wanted more