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25

CONSTRUCTION WORLD

MARCH

2015

two other elements are suspended: the visi-

tors’ viewing platform and the manual crane

hoist with capacity 1 metric ton.

“The incorporation of the hoist into the

structure makes the structure part building

part machine,” adds Nel.

In terms of environmental sensitivity,

client and architect agreed that achieving

‘an invisible building’ from the outside with

‘maximum impact on the interior’ would be

desirable. Many ‘camouflage techniques’

were then employed by the architect such

as: non-linear design, creating moving light

and shade patterns; using ‘site colours’

(such as tree bark colour); asymmetrical

design, use of leaf-like overall design, and

insect or spider-like design.

Toboth reducemaintenance andprevent

elements leaching into the site (which could

contaminate samples) non-corrosive mate-

rials such as aluminium and fiber cement

panels had to be used. The apex of the roof

is lifted off the rest of the roof, ensuring

escape of the hot air at the highest point and

increasing ventilation – this prevents head

build-up in the dome.

The site is remote and with no provided

services. Natural light is enhanced and

stormwater is harvested for use in excava-

tion activities.

PROJECT PROFILE – STEEL CONSTRUCTION

I

The Steel Award judges concluded

that the determination of the of

the whole team, especially the site

team, the quality of their work, the

fact that when you visit the site the

roof is not visible from just a few

metres away, that the construction

team has left the site virtually as

they found it, (except for the struc-

ture) there is no doubt that this

project represents excellence in

the use of steel for every possible

reason and was deserving Overall

Winner of Steel Awards 2014.

Many ‘camouflage techniques’ were employed by the architect: non-

linear design which creates moving light and shade patterns; using ‘site

colours’ (such as tree bark colour); asymmetrical design; use of leaf-like

overall design; and insect or spider-like design.

The design is inspired by natural

site forms: leaves, insects and

spiders and particularly by the

Sediba

fossils first discovered i.e.

the clavicle and scapula.