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GAZETTE

MARCH1993

Copyright - New Licensing Agency

and Other Developments

by Anthony P. Quinn*

Do existing laws and procedures

adequately protect copyright owners

in this technological era? Mass use

of copiers in offices and libraries

facilitates the abuse of reprographic

rights, i.e. facsimile reproduction in

paper form. This article outlines how

the new

Irish Copyright Licensing

Agency,

a joint initiative by authors

and publishers, has devised collective

licensing and royalty collection

procedures to protect the interests of

authors/publishers and facilitate

educational institutions and other

users of copyright printed material.

1

Background

"To every cow her calf and to every

book its copy."

"Le gach bó a buinin, agus le gach

leabhar a chóip."

So held Diarmaid MacCearrbheoil,

High King, finding in favour of the

plaintiff in the historic case of

St.

Finnian of Maigh Bhile

-v-

St.

Columcille,

560 AD. The plaintiff

demanded return of a Gospel book

and its copy secretly made by the

defendant without consent. In his

judgment, Diarmuid rejected the

plaintiff's arguments that the copy

was his property. Copyright was an

exception to the general principle of

the Brehon laws that property such

as land belonged to the clan.

2

Thus,

even in ancient times, a right to the

fruits of literary efforts was

recognised.

The principle in

Finnian

-v-

Columcille

was enshrined widely in

jurisprudence (not necessarily on the

basis of that Celtic precedent) to

protect intellectual property rights by

copyright. The law tries to achieve a

balance between two public interests:

reward for the personal ingenuity of

owners of rights and organised

society's demands for access to

printed information. In

Sayre

-v-

Moore,

a case of 1785 re the copying

of maps, Lord Mansfield referred to

the need to reconcile the rights of

creators and users.

3

"The law tries to achieve a balance

between two public interests:

reward for the personal ingenuity

of owners of rights and organised

society's demands for access to

printed information."

Anthony P Quinn

Copyright and Creativity

The relationship between copyright

and creativity was explored by US

Judge Richard A. Posner.

4

There is

an analogy with primitive agriculture

in a society without property, rights

where anyone could reap the benefit

of others' efforts. Work shifted to

more rewarding activities. The

position of authors' creativity is

more complex. As Judge Posner

explains, authors write for reasons

other than money. Inner satisfaction,

hope of immortality, prestige or

fame may be the spur. Copyright law

was not so necessary in the past

when printing was licensed. It was

so time-consuming and expensive to

copy a book that it would be more

economical to buy an original copy

and directly reward the author.

Legislation

The first English Copyright Act was

passed in Queen Anne's reign, 1709

(8 Anne c.19). That legislation was

narrower than modern Acts and it

did not protect translations from

foreign languages. Protection was

mainly for booksellers who then

were also publishers. Much classical

literature from the nodder Homer to

the plagiarist Shakespeare was

created prior to copyright Acts.

The Irish Copyright Act, 1963 (the

1963 Act), provides in s.7 (1) that

copyright in a work is the exclusive

right to do, and to authorise other

persons to do, certain acts in relation

to that work which in the relevant

provisions are designated acts

restricted by the copyright in a work

of that description.

5

Restricted acts include not only the

obvious e.g. publication and public

performance or broadcast as

appropriate, but also reproducing the

work in any material form. To put

readers on notice, most modern

publications refer to rights reserved

and also prohibit photocopying and

recording without copyright holders'

permission. Ss.12 and 14 for fair

dealing exceptions e.g. research,

private study, criticism or review,

lack the detailed provisions of s. 29,

UK 1988 Act. In Ireland, students

may copy within limits (10% of a

work) for strictly personal research

or study but multiple copying

without permission is illegal.

Widespread copying by individuals

on the instructions of educational

institutions is arguably stretching fair

dealing to the point of illegality.

Infringement and Remedies

S. 7 (3), 1963 Act provides that