GAZETTE
APRIL
.
1993
copyright is infringed by any person
who, not being the owner of the
copyright, and without licence of the
owner, does or authorises another
person to do any restricted acts.
Infringement of copyright is
actionable at the suit of the
copyright owner. Part IV, ss. 22-28
1963 Act, provides for remedies.
Different remedies may be
appropriate: injunction, an order for
account, damages, action for
conversion; criminal sanction under
the Copyright (Amendment) Act
1987; an
Anton Pilar
order for
search and seizure of documents.
6
Controlling Copying under
Copyright Law
Existing copyright law may seem too
restrictive or too expansive
depending on the interests involved.
Even allowing for fair dealing
exceptions, existing law is being
widely abused by offices, educational
users and libraries. Warnings at the
start of books clearly assert legal
rights and try to prohibit
unauthorised photocopying. (Even
without such warnings, rights exist.)
Unauthorised copying is illegal and
enforcement actions are a threat to
individuals and bodies flouting the
law. In a recent landmark decision,
Texaco,
a New York Federal District
Court held that copying journal
materials for employees' use was not
fair use, and that permission and
compensation were required.
7
It may
be difficult to produce evidence of
infringement by copying.
8
"a New York Federal District
Court held that copying journal
materials for employees' use was
not fair use, and that permission
and compensation were required."
The Irish Copyright Licensing
Agency (ICLA)
As photocopiers are commonplace, it
is difficult for individual copyright
holders to prevent abuse of their
rights. Control by a special agency is
the effective solution matching
concepts of copyright as a multiple
bundle of rights which can be
assigned or licensed together or
separately. The ICLA is an non-
profit making company limited by
guarantee, recently incorporated,
with equal representation on its
board and in its membership by
authors and publishers. The articles
of association provide that the board
be chaired in alternate years by a
publisher and author nominee.
Publisher
Michael Gill
is chairman
and author
Eilis Dillon
is secretary.
The board fortunately obtained the
legal services of
Muireann O Briain
on a part-time basis. The ICLA will
operate through mandates from
writers and publishers. Authors'
unions support the initiative. ICLA
will exercise sensible control over
photocopying and provide users with
an easy means of obtaining
permission to copy.
9
ICLA will act
as a clearing centre for dealings
between owners and users of
copyright material. Users such as
schools, universities, tutorial centres,
commercial firms, State Departments
and agencies, public bodies,
professionals and individuals will be
able to comply with copyright law
through the ICLA.
New Licensing System
ICLA will licence the photocopying
of brief extracts from published
works. The limits are 5% of a book
or an entire poem/story not
exceeding ten pages. Libraries and
other heavy users will have to keep
records or agree to a survey system.
ICLA will collect appropriate fees
from users and income will be
passed on to publishers and authors.
Carte blanche unrestricted copying
will not be allowed. Limitations and
conditions of copying will be clearly
stated to all licensees. Publishers will
be relieved of unproductive work
such as individual correspondence.
International Dimension
The ICLA system mirrors collection
agencies abroad. A reciprocal
arrangement has been signed with
the UK agency. ICLA hopes to
negotiate with other members of the
International Federation of
Reproduction Rights Organisations
(IFRRO) so that payment for Irish
published works can be collected
abroad. The Australian Copyright
Agency Ltd., having negotiated
royalties from the Federal
Government for press cuttings
circulated in the civil service, is now
focusing attention on abuses in the
educational sector.
10
The Declaration of Human Rights,
article 27, 1947, asserts both sides of
the copyright coin: individuals'
cultural rights and authors' rights to
protect their moral and material
interests.
11
Many countries, including
Ireland, are members of the Berne
Copyright Union and/or the
Universal Copyright Convention.
12
In
countries other than that of origin,
authors are given not only rights of
domestic laws of those countries but
also rights granted by the Union.
Works published in any country of
the Berne Union or Universal
Copyright Convention (UCC) are
protected in the Irish jurisdiction as
if the works were first published in
the State.
13
UCC formalities require
the use of the symbol © on all
published copies of works, plus the
copyright owner's name and year of
first publication.
EC Aspects and Law Reform
EC harmonisation initiatives in the
intellectual property field, aimed at
removing impediments to the free
movement within the Internal
Market, are a spur to reform of
national copyright law. Differences
between such laws impede progress.
14
The common law copyright concept
as known in Ireland and the UK,
contrasts with civil law continental
concepts, especially
droit d'auteur.
The latter, which evolved from the
Enlightenment and the French
Revolution, related to authors'
absolute control over creations of the
mind. Copyright law, based on
economic arguments, is more suited
than the abstract
droit d'auteur
to
protecting computer software.
There are also neighbouring rights
e.g. of performers and moral rights
to the creative integrity of literary
works. A proposed EC Council
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