Previous Page  32 / 60 Next Page
Information
Show Menu
Previous Page 32 / 60 Next Page
Page Background

30

ST EDWARD’S

r

h

u

b

a

r

b

V A L E T E

O B I T U A R I E S

AUSTIN

– On 26th September

2016, John Austin (F, 1942-

1946). John became a Chartered

Accountant in 1952, working for

Commercial Union Investment

Management from 1952 to 1968,

before becoming a Stockbroker

in 1968. He retired in 1985.

BARKER

– On 13th May 2016,

Rev Peter Barker (E, 1942-

1946). The following obituary

has kindly been provided by

Mrs Barker:

A musician, a historian, a

journalist, an author, a publisher,

a linguist, an ethnographer;

Peter Barker was all of these

as well as an ordained minister

for 53 years, of which the

first two decades were with

the Presbyterian Church of

Ghana and the last three with

the United Reform Church.

At the Service of Thanksgiving

for his life, his friends spoke

of his enthusiasm, energy and

drive, not least in promoting

evangelism in Ghana, in

reaching out to troubled

teenagers in Derbyshire and

Nottinghamshire, in inspiring

and bringing people to share his

love of God, and in the enduring

impact he made on people,

projects and places.

Born in Feltham in 1928,

Peter was a chorister in

Winchester Cathedral and

completed his schooling in

Oxford. National Service

then sent him to East Africa,

where broadcasts from Nairobi

Cathedral led him to give his life

to the Lord’s work. He returned

to the UK, read History at

the University of Oxford, and

trained as a journalist.

New

Nation

magazine in Ghana

provided his first job, and he

then taught in a secondary

school until he felt the call to

preach the gospel full-time.

He studied in London and

Ghana and was ordained by

the Presbyterian Church of

Ghana in 1963, the same year

that he married Laura. He

ministered to a congregation in

Accra for three years and then

worked for the Ghana Christian

Council, founding the Asempa

Publishing house in 1968.

Much of Asempa’s output of

pamphlets, leaflets and books

were written or edited by Peter

himself.

In 1985 Peter and his family,

by then including Andrew and

Helen, returned to the UK

where Peter served for four

URC congregations in the East

Midlands. Peter threw himself

into preaching, teaching and

evangelism, bringing many

people to know the Lord. He

preached everywhere – at the

bus stop, in shops, on trains –

and having been accustomed to

travelling Ghana on two wheels

saw no reason not to tour his

parishes on his trusty moped.

In 1996, Peter, having already

reached retirement age, moved

to Cheam, serving as Assistant

Minister at St Andrew’s URC,

and continuing to lead Bible

study groups and inspire a

new community with his

enthusiasm and extraordinary

breadth of knowledge. In his

70th year he walked from

Cheam to Canterbury to raise

money for the church to hire a

youth worker and later hiked

the stretch from Winchester

to Cheam to complete the

Pilgrims’ Way. He continued

to write, making yearly trips

to write the story of Scripture

Union Ghana,

Changed by the

Word

, and to continue research

into the people of northern

Ghana.

A man of God, an apostle,

a wise mentor and tireless

evangelist: Peter Barker was

all of these and more. He

left us to be with his maker

in May 2016, survived by his

ever-supportive wife Laura,

their two children, and by the

thousands of people he met

and inspired in two continents.

BERGER

– On 2nd January

2017, John Berger (A, 1940-

1943). The following obituary

has been taken from

The New

York Times

:

John Berger, the British

critic, novelist and screenwriter

whose ground-breaking 1972

television series and book,

Ways of Seeing

, declared war

on traditional ways of thinking

about art and influenced a

generation of artists and

teachers, died at his home in

the Paris suburb of Antony.

He was 90.

As the host of

Ways of

Seeing

, Mr Berger was a public

intellectual who became a

countercultural celebrity in

1970s Britain, where the BBC

kept the four-part series in

frequent rotation. The book

became an art-school standard

on both sides of the Atlantic.

Mr Berger’s intention was to

upend what he saw as centuries

of elitist critical tradition that

evaluated artworks mostly

formally, ignoring their social

and political context, and the

series came to be seen as an

assault on the historian Kenneth

Clark’s lofty

Civilisation

.

Among many other subjects,

Mr Berger burrowed into

the sexism underpinning the

tradition of the nude; the place

of high art in an image-saturated

modern world; the relationship

between art and advertising;

and, of particular importance

to him as a voice of the British

New Left, the way traditional oil

painting celebrated wealth and

materialism.

In academic circles the book

became, as one art historian

described it, the equivalent

of Mao’s

Little Red Book

, and

OSE Obituaries

it went on to sell more than a

million copies, never going out

of print. Mr Berger’s methods,

influenced by the ideas of

Walter Benjamin, tended to

attract either ardent admiration

or seething criticism, with little

in between.

John Peter Berger was

born in London on 5th

November 1926, and raised

in only moderate comfort,

with little high culture, in what

he described as a working-

class home. He studied at St

Edward’s School, then Chelsea

School of Art, now Chelsea

College of Arts, after a stint in

the Army.

Mr Berger wanted to be a

painter but found that he was

much better at writing. For a

decade he was an art critic for

The New Statesman

, where he

made a name for himself by

antagonizing nearly everyone in

the art world in prose that was

beautifully spare and precise

but heavily moralizing and

also frequently humourless.

He was a champion of realism

during the rise of Abstract

Expressionism, and he took

on giants like Jackson Pollock,

whom he criticized as a

talented failure for being unable

to “see or think beyond the

decadence of the culture to

which he belongs”. But his love

for favourite artists - among

them Rembrandt, Velázquez,

van Gogh and Frida Kahlo - was

expressed with a fervour and

depth of intelligence matched

by few critics of his generation.

The year 1972 was Mr

Berger’s most prolific, with

Ways

of Seeing

and the publication

of his most critically acclaimed

novel,

G

., about the political

awakening of a Lothario in

pre-World War I Europe, which

was awarded the Booker Prize.

(Characteristically, Mr Berger

criticized the company that