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118

La Pedrera

– “The Stone Quarry”, it was declared a UNESCO World

Heritage Site in 1984. Its hulking, rippled facade, curving around the street

corner in one smooth sweep, is said to have been inspired by the mountain of

Montserrat just outside Barcelona, while the apartments themselves, whose

balconies of tangled metal drip over the facade, resemble eroded cave dwellings.

Indeed, there’s not a straight line to be seen – hence the contemporary joke that

the new tenants would only be able to keep snakes as pets.The building, which

Gaudí himself described as “more luminous than light”, was his last secular

commission – and one of his best – but even here he was injecting religious

motifs and sculptures into the building until told to remove them. A sculpture

of theVirgin Mary was planned to complete the roof, but the building’s owners

demurred, having been alarmed by the anti-religious fervour of the “Tragic

Week” in Barcelona in 1909, when anarchist-sponsored rioting destroyed

churches and religious foundations. Gaudí, by now working full-time on the

Sagrada Família, was appalled, and determined in future to use his skills only for

religious purposes.

The

self-guided visit

(entrance on c/Provença, March–Oct 9am–8pm,

Nov–Feb daily 9am–6.30pm, closed first week Jan;

T

902 400 973,

W

www

.lapedreraeducacio.org

; €8) includes a trip up to the extraordinary

terrat

(roof

terrace) to see at close quarters the enigmatic chimneys, as well as an informa-

tive exhibition about Gaudí’s work installed under the 270 curved brick arches

of the attic. El Pis (“the apartment”) on the building’s fourth floor re-creates

the design and style of a

modernista

-era bourgeois apartment in a series of

extraordinarily light rooms that flow seamlessly from one to another. The

apartment is filled with period furniture and effects, while the moulded door

and window frames, and even the brass door handles, all follow Gaudí’s sinuous

building design.

Casa Milà itself is still split into private apartments and is administered by the

Fundació Caixa de Catalunya.Through the grand main entrance of the building

you can access the Fundació’s first-floor

exhibition hall

(daily 10am–8pm;

free;

W

www.fundaciocaixacatalunya.org)

, which hosts temporary art shows of

works by major international artists.

Casa Ramon Casas: Vinçon

Right next to La Pedrera, in the same block on Passeig de Gràcia, the

Casa

Ramon Casas

(1899) was built for the wealthy Barcelona artist Ramon Casas

i Carbó (1866–1932). He had found early success in Paris with friends Santiago

Rusiñol and Miquel Utrillo, and the three of them were later involved in

Els

Quatre Gats

tavern, which Casas largely financed. In 1941, the

Vinçon

store

(Mon–Sat 10am–8.30pm;

T

932 156 050,

W

www.vincon.com

) was established

in the building, which emerged in the Sixties as the country’s pre-eminent

purveyor of furniture and design, a reputation today’s department store still

A night on the tiles

One of Barcelona’s most talked-about experiences is that known as

La Pedrera de Nit

(late June & July only, Fri & Sat 9–11.30pm; €13), when you can enjoy Gaudí’s amazing

ceramic-tiled rooftop at La Pedrera by night. With the city lights as a backdrop, you

get a complimentary glass of

cava

and music from a mixed bunch of performers, from

flamenco to folk. Advance booking is essential, either on the day in person at the ticket

office or from TelEntrada (

T

902 101 212,

W

www.telentrada.com)

.

THE EIXAMPLE

|

Dreta de l’Eixample