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264

a seven-month siege, while Napoleon did his cause no good at all by attacking

and sacking the holy shrine and monastery at Montserrat. Fierce local resistance

was eventually backed by the muscle of a British army, and the French were at

last driven out.

The slow Catalan revival

Despite the political emasculation of Catalunya, there were signs of

economic

revival

from the end of the seventeenth century onwards. During the 1700s

there was a gradual growth in agricultural output, partly caused by a doubling

of the population: more land was put under cultivation, and productivity

improved with the introduction of easy-to-cultivate maize from the Indies.

Barcelona also saw a steady increase in trade, since from 1778 Catalunya was

allowed to trade with the Americas for the first time; in this way, the shipping

industry received a boost and Catalunya was able to export its textiles to a

wider market.The other great export was wine, whose widespread production

in the region also dates from this period.A chamber of commerce was founded

in Barcelona in 1758, and other economic societies followed as commercial

interests increased.

After the Napoleonic Wars, industry in Catalunya developed apace – it was an

industrialization

that appeared nowhere else in Spain. In the mid-nineteenth

century, the country’s first

railway

was built from Barcelona to Mataró, and

later extended south to Tarragona, and north to Girona and the French border.

Manufacturing

industries appeared as the financial surpluses from the land were

invested, encouraging a shift in population from the land to the towns; olive oil

production in Lleida andTarragona helped supply the whole country; and previ-

ously local industries flourished on a wider scale – in the wine-growing districts,

for example,

cava

(champagne-like wine) production was introduced in the late

nineteenth century, supported closely by the age-old cork industry of the Catalan

forests. From 1890, hydroelectric power was harnessed from the Pyrenees, and by

the end of the century

Barcelona

was the fastest-growing city in Spain – it was

one of only six with more than 100,000 inhabitants.

Equally important was the first stirring of what became known as the

Renaixença

(Renaissance), in the mid-nineteenth century. Despite being

banned in official use and public life, the Catalan

language

had never died out.

Books began to appear again in Catalan – a dictionary in 1803 and a grammar

in 1814 – and the language was revived among the bourgeoisie and intellectuals

in the cities as a means of making subtle nationalist and political points. Catalan

poetry

became popular, and the late medieval

Jocs Florals

(Floral Games), a

sort of literary competition, were revived in 1859 in Barcelona: one winner

was the great Catalan poet, Jacint Verdaguer (1845–1902). Catalan

drama

developed (although even in the late nineteenth century there were still restric-

tions on performing wholly Catalan plays), led mainly by the dramatist Pitarra.

The only discipline that didn’t show any great advance was prose literature

– partly because the Catalan language had been so debased with Castilian over

the centuries that writers found it difficult to express themselves in a way that

would appeal to the population.

Prosperity led to the rapid

expansion of Barcelona

, particularly the mid-

nineteenth century addition to the city of the planned Eixample district.

Encouraged by wealthy patrons and merchants, architects such as Josep Puig i

Cadafalch, Lluís Domènech i Montaner and Antoni Gaudí I Cornet were in

the vanguard of the

modernista

movement which changed the face of the

city. Culture and business came together with the

Universal Exhibition

of

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A history of Barcelona and Catalunya