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13+ revision & practice

engl i sh

Consolidates all the key information required for Common Entrance at 13+

Provides practical guidance on improving written answers and exam technique

Includes advice on creative writing and how to write for practical purposes

Engl ish for Common Entrance

13+ Revision Guide

Clear layout for easy marking

Highlights requirements for each level

Provides guidance to help your child achieve top marks

Identifies areas requiring further attention

Engl ish for Common Entrance

13+ Exam Practice Answers

Build exam confidence with a wealth of comprehensive exercises for both

reading and writing sections of the exams

Features rigorous and realistic exam-style questions in the style of the ISEB

Common Entrance exam at Levels 1 and 2

Use with

English for Common Entrance 13+ Exam Practice Answers

to identify

areas requiring further attention

Engl ish for Common Entrance

13+ Exam Practice Questions

£16.99

9781471874314

£15.99

9781471868962

£13.99

9781471868993

approved

Te l :

0 2 0 3 1 2 2 6 4 0 5

I

V i s i t :

g a l o r e p a r k . c o . u k

Te l :

0 2 0 3 1 2 2 6 4 0 5

I

V i s i t :

g a l o r e p a r k . c o . u k

1 9

1 8

English for Common Entrance 13+ Exam Practice Questions –

Chapter 5: ‘The Caged Bird in Springtime’

48

Levels 1 & 2

5 ‘The Caged Bird in Springtime’ by James Kirkup

What can itbe

This curious anxiety?

It is as if Iwanted

Tofly away fromhere.

Buthow absurd!

Ihaveneverflown inmy life,

And Idonotknow

Whatflyingmeans, though Ihaveheard,

Of course, something about it.

Whydo Ipeck thewiresof this little cage?

It is theonlynest Ihave everknown.

But Iwant tobuildmyown,

High in the secretbranchesof the air.

I cannotquite rememberhow

It isdone,but Iknow

Thatwhat Iwant todo

Cannotbedonehere.

Ihave all Ineed–

Seed andwater, air and light.

Why, then,do Iweepwith anguish,

Andbeatmyhead andmywings

Against these sharpwires,while the children

Smile at eachother, saying: ‘Harkhowhe sings’?

5

10

15

20

Paper2Section A:Reading–Poetry

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57

5

‘TheCagedBird in Springtime’

Q Answer

Mark Additionalguidance

b) agree:

birds should alwaysbe in theirnaturalhabitatdespite

inherentdangers

it isnot forhumans todecidewherebirds live

it is cruel to restrict/preventbirds’flight andneed tonest

disagree:

theremaybe timeswhen it isadvisable tokeepbirds incaptivity,

e.g.topreventextinction,veterinarycare,research,education,bird

sanctuary

3

up to3marks for a

well-reasoned and

sensible answer

TOTAL

25

5 ‘TheCaged Bird in Springtime’by James Kirkup

Level 2

Q Answer

Mark Additionalguidance

1

unable tofly

unable tobuild anest

instinct is trying toprevail

itwants tobehave as itwould if free/in thewild

instinct especially strong in springtime

4

1mark for each

up to2marks for

answerswhich

reflectunderstanding

of instinct

2

thequestions engage the reader/draw the reader in

eachnewquestion allows the reader to think from thebird’s

pointof view

thebird’s attempt to answer itsownquestions creates a

pattern

thebird isworried/anxious/confused

it tries to answer itsownquestionswhich emphasises its

helplessness

2

2

up to2marks for

responsewhich

showsunderstanding

of ‘question and

answer’ structure

up to2marks for

responsewhich

showsunderstanding

of thebird

3

bird

negative,emotive, sadwords:

‘weep’– thebird is sorrowfully crying indistress/crying

bitterly

‘anguish’–hiscry isoneof suffering/pain/torment

‘beat’– frustration/desperation to escape/agonyofbeing

trapped

‘sharp’– feelspain

children

positive,happywords/phrases:

‘Smile’– cheerful/entertained/oblivious

‘Harkhowhe sings’–amused/showingenjoyment/unawareof

the real reason forhis song

deliberate vocabulary choices to show contrast inmood

betweenbird and children

children’smisunderstandingofbird’s situation shows irony

6

candidates should

commenton the

generalmoodof the

word choices in each

case

comment indetail

on at leastone

word/phrase for

each

understandingof

contrastnecessary

for fullmarks

reward candidates

who identify irony

9781471868993.indd 57

21/06/16 12:56PM

English for Common Entrance 13+ Exam Practice Answers –

Chapter 5: ‘The Caged Bird in Springtime’

44

5

Creative writing

Paper 2 invites you towrite in an original, fictional, imaginativeway.

This chapter therefore looks at some of the general skills that are required

forwritingwell and then goes on to focus on the skills you need forwriting

stories and descriptions, including how to create convincing characters and

dialogue.

Paper 2will give you a choice of subjects towrite about. The paper usually

includes options such as:

a story

an imaginative description

a quotation, statement or titlewhich you can respond to in any

imaginativeway youwish.

Examtip

Remember thatwith the thirdoption aboveyou are free towrite in any

wayyouwishbutyouruseof languageneeds tobe appropriate and

accurate.

Youmust choose

one

of these. The same options forwriting are offered at

both levels.

The examinerwants you to be as free as possible to show howwell you can

use language imaginatively towrite descriptively and to tell stories. That iswhy

the suggestions you are given to choose from are quite vague and open ended.

It is important that you:

write in an appropriateway for the task you have chosen

spell correctly

punctuate and use grammar properly

use exciting vocabulary accurately.

5.1

Writing well

Here are some practical ideas to help you improve the quality of yourwriting.

Revisiontip

As you revise, trywritingparagraphswith sentencesofdifferent lengths.

Lookout for sentencesofdifferent lengthswhileyou’re reading too.

Sentencelength

Vary the length of your sentences. A piece ofwriting inwhich all the

sentences are roughly the same length is usually dull and flat.

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5 Creativewriting

45

Look at an example of a professionalwriter using sentences of different

lengths:

Herbeautysilencedus.DespiteKenji’senthusiasmearlier, Iwasquiteunprepared for

it. I thought then that IunderstoodLadyMaruyana’ssuffering:at leastpartof ithad to

be jealousy.Howcouldanyman refuse thepossessionofsuchbeauty?

(From

Across theNightingaleFloor

by LianHearn,2002)

In one paragraph LianHearn has a sequence of sentenceswhich have – in

order – 4, 10, 18 and 10words. Read it aloud. Youwill notice that varied

sentence andword length creates rhythm,whichmatters asmuch in prose as

in poetry. The stresses in thewords rise and fall in an irregularway but the

writing sounds complete and elegant because of its prose rhythm.

One technique is to build a paragraph of three sentences, each one shorter

than the one before. It is quite dramatic andmakes your readerwant to hurry

on to the next paragraph.Here is an example of a professionalwriter using

this technique:

Beckyknewher tiradehadgone too far,thatshe’dspoiled theday,that itwouldmake

hermothercry,and thatshe’dhateherself later formakingherunhappyagain.But to

hersurprise,hermotherdidn’tcry this time. Insteadshewentveryquiet.

(From

BestMates

byMichaelMorpurgo,2007)

Sentenceshape

Make sure that you vary the shapes of your sentences too. If you arewriting a

story about Josh don’t start the first five sentenceswith ‘Josh’ or ‘he’ followed

by a verb.

Instead:

Start sometimeswith a fronted clause or phrase, for example:

Knowing that hewas already late, Josh…

Desperate and angry, Josh…

Write an occasional ‘inside out’ sentence. So, instead of:

Josh ran as fast as he could becauseMiawas in terrible danger.

write:

Because he knewMiawas in terrible danger, Josh ran as fast as he could.

If you’rewriting conversation, vary the position of thewordswhich explain

who is speaking (the speech tags). They can go at the beginning, in the

middle or at the end of spokenwords. Change the order of them too.Use

‘Martha said’ aswell as ‘saidMartha’:

Freddy said, ‘I don’t believe aword of it. It just can’t be true.’

‘I don’t believe aword of it. It just can’t be true,’ said Freddy.

‘I don’t believe aword of it,’ said Freddy. ‘It just can’t be true.’

Stir some indirect speech into themix of conversation too:

Freddy said he didn’t believe aword of it because it just couldn’t be true.

9781471874314.indb 45

6/20/16 9:21PM

English for Common Entrance 13+ Revision Guide –

Chapter 5: Creative writing

Exam tips

Revision tips

Levelled questions

Sample answers

Answer guidance

£10.99

£10.99

9781510429802

9781510429796

13+ English Workbooks

Writing for 13+ Entrance Exams

Workbook

Covers the skills required to generate

written pieces in the specified range

of non-fiction text types and provides

the tools needed to make creative

writing original and interesting.

Vocabulary for 13+ Entrance Exams

Workbook

Vocabulary is the foundation for good

reading comprehension and writing.

This workbook covers ways of using

words appropriately, in a range of text

types, through engaging activities that will

enrich students’ vocabulary.

These skills based write-in

workbooks (with pull-out answers)

develop the writing and vocabulary

skills needed to do well in all 13+

exams including ISEB Common

Entrance at 13+.