Eternal India
encyclopedia
RELIGIONS
DAILY ROUTINE AT THIRUMALA TEMPLE
The dominant Hindu ritualistic thinking is that an idol of God is
really only a limited expression of the one inexpressible Supreme
Brahman. The
purusha sukta
declares that God has a thousand heads
(Sahasra Sirsha Purusha).
There is therefore no limit to the many
different varieties or forms used to represent different aspects of that
Higher infinite which is ultimately formless. It is to focus, concentrate
and lead the devotee's mind, by slow stages to the realisation of the
infinite, that, in many sanctuaries and temples, worship and prayers are
done, through well laid down principles of puja. Puja and temple
worship act as powerful spiritual forces to raise a limited individual
slowly to the realisation of the Godhead that is in him.
Lord Krishna classifies those who came to him into four divi-
sions
i
those in distress;
ii
those desirous of worldly gains;
iii
those seeking spiritual knowledge and understanding; and
iv
those who have already attained a high degree of spiritual
wisdom.
Each of these categories also come to Sri Venkatesvara, the Lord
of the Seven Hills. His task is to give each what each asks for. The
Lord's blessings are poured out on all men equally, but anyone could
only receive according to his evolution and according to his position
on the ladder of spiritual attainment. The rays of the glory of the Lord
fall equally on all who are directly in its way. But if someone is behind
an obstacle or in a room he will receive only a part of the illumination.
Puja
or daily worship if done according to the prescribed agamic
rules is conducive to cultivating a higher spiritual yearning, which is
like coming out from the confinement of the room into the glory of the
sun's full rays. The Lord considers all as worthy of His help. He sheds
his blessings on all, but it is the devotees' own limitations that condition
what he receives. If his present need is for bodily health or material
prosperity, that is what he gets. Those in the higher grades who are
open to the Lord's full illumination get what they aspire for. Though
they are fewer in numbers than the others, still such persons do exist.
When one comes into contact with them one meets them with great joy
and with a rare feeling of upliftment. It is for this gradual evolution
from our material and earthly needs, through spiritual satisfaction, to
a state of utter needlessness, when we can just bask in the glory of the
Lord, for its own sake, that the agamic disciplines of
puja
and
pujavidhana
are laid down.
The agama aspects of worship
According to the
Bhavishyottara purana,
Vaikhanasa Rishi is said
to have admired the playful lilas of Lord Krishna in Dwapara Yuga and
did Tapascharya to obtain darshan of Lord Krishna. The legend goes
that Lord Krishna appeared before him and instructed him to worship
the Lord as Srinivasa who manifested himself in a hill on Venkatachala
and that one Rangadasa will help him to locate and worship the Lord.
Vikhanasa Rishi then proceeded to Tirumala and is said to have found
the Lord with the help of Rangadasa and worshipped him. The
Vaikhanasa agama
recommends
puja
six times a day at the following
times namely:
i
Pratyusha
(arunodaya)
ii
Prabhata
(pratahkata)
iii
Madhyanna
(noon)
iv
Aparanha
(afternoon)
v
Sayankala
(evening sandhi time); and
vi
Nisi
(ardhayama or midnight).
There is no evidence that
puja
six times a day as prescribed above
was ever done in Tirumala. Kulasekhara Alvar in Tirumoli 1 -7 states
that worship six times a day was carried on in Sriranga, but there is no
such mention about Tirumala.
We can infer from the epigraphical records of the temple, that
though the Vaikhanasa form of worship has been in vogue from ancient
times, there was no strict observance of the
Shudkala puja
here.
The
agamas
themselves seem to have realised that strict adherence
to the shadkala puja may not be possible or practicable for various
reasons, and have prescribed that either
shadkala puja
or
trikalapuja
or
dvikala puja
or
ekakalapuja
should be performed to the Lord.
The
Pancharatra agama
liberalises this further than the
Vaikhansa
agama
and gives discretion to the temple to perform one, two, three
four, five, six or even twelve puja as according to the finances and the
organising ability of the devotees.
Suprabhathami -
During this time the
'Suprabhatam,' 'stotram,' 'pra-
patti',
and
'mangalasasana'
are recited. A descendant of Tallapakam
Annamacharya sings a few of the Sankirtanas.
*
Sri Venkateswara Suprabhatam consists of four items viz.,
a)
Suprabhatam
(waking the Lord from the sleep) consisting of
twenty-nine slokas.
b)
Stotra
(hymns to the Lord) consisting of eleven slokas.
c)
Prapatti
(surrender to the Lord) consisting of sixteen stanzas
d)
Mangalasasana
(a prayer of the Lord's glory) consisting of
fourteen stanzas, thus making altogether a total of seventy slokas.
The
suprabhatam
is sung before the
Bangaru Vakili
after which the
Bhoga Srinivasamurthy who was laid to bed in the
Shayana mantapa
is shifted again to the
Garbha griha. Navanitha harati
is offered to the
Lord and a mixture of cow's milk, butter and sugar is offered to the
Lord. The mixture of milk, butter and sugar is then given as
prasadam
to the devotees who have come for
Sarvadarsanam
of the Lord.
The composer of the
suprabhatam
is supposed to be the Prati-
vadibhayankaram Annan who is said to have flourished during the
closing years of Sri Vedantadesika.
Visvaroopa SarvaDarshanam:
The
suprabhatam
is followed by
Visvarupa Sarva Darshanam
when all pilgrims waiting outside the
temple are allowed to have free
Darshan
of the Lord.
Brahma conducts worship every day to Lord Vishnu since the Lord
manifested himself there on the Hill and Brahma along with the
Devas
is said to have been doing
puja
there every night for the spiritual benefit
of all. Five gold cups (called vattils) of full and cleaned water with the
spices required for
puja
as per agamas added to them, and with the
other
puja
articles, are left at the feet of the Lord. Brahma is supposed
to come and do the
puja
here at night.
Shuddhi:
After
Visvaroopa Darsanam
is finished the screen is
placed in position at the
Bangaru Vakili
and
Shuddhi
is done in the
sanctum sanctorum when all the previous flower decorations of the
Dhruva Murti are removed and the vessels required for the
puja
are also
cleaned. All the flowers except those which are required to adorn