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23

CONSTRUCTION WORLD

JUNE

2017

Exterior of vestry offices at Sankt Petri showing various brick patterns.

ABOVE AND BELOW:

St Mark’s brick vaults supported on angled steel

beams. (All Images: T. Deckler.)

project which called for construction in the local dark clay brick to

two world renowned Swedish churches, St Peter’s in Klippan and St

Mark’s in Bjorkhagen, Sweden. Both churches show his investment

in brick as a material and his mastery of the medium. And, both

churches are a showcase of his ability to transform the use of clay

brick from what many believe to be the mundane into tactile spaces

which resonate with atmosphere.

In the St Peter’s structure, Deckler was particularly admiring of

Lewerentz’s ability to allude to and evoke the atmosphere of the

Roman catacombs where early Christians hid to escape capture.

Here the entire structure is made from brick including the walls,

floors and ceilings. He also forbade the workmen to cut any of

the bricks or grind off welding burs on the steel work to ensure an

unpretentious directness. “One can argue that this is what most

builders in South Africa achieve without even trying….but in the case

of Lewerentz it’s a premeditated move over which he presided with

utmost control and intent,” explains Deckler.

The Brutalist movement was a big fan of brick – utilitarian,

stark and rugged, Brutalist brick buildings are typically massive

in character if not in size and are renowned for their functionality.

Favoured for educational buildings, government projects and

public housing, Brutalism can be seen as an expression of moral

seriousness amongst architects after the lightness and frivolity of

some 1930s and 1940 architecture. “I have some feelings

for Brutalism where it was handled less dogmatically and

where proportions, human scale and the integration of

nature are well considered,” says Deckler recalling many of

Lewerentz’s works.

Favoured long before

Facebrick, however, was favoured long before the Brutalist

movement as is witnessed in the Monadnock Building in

Chicago, USA. Built in 1891 and completed in 1893 the

Monadnock was the tallest load bearing building ever

constructed and is identified by its unornamented vertical

mass of purple-brown brick. Deckler, who recently returned

from a trip to Chicago was impressed by this 16-story high-

rise. “The facebrick material made an incredible impression

on me and the building’s deep window reveals and rounded

corners gave it a tactile feel that was almost African in

nature, reminding me of the earth architecture of Mali,”

he commented.

From churches to corporate buildings and suburban

homes, around the world facebrick has featured prominently

in the last century, the choice of architects looking for

honesty, practicality and integrity.

Deckler leaves us with this thought: “This all goes back to the

argument that decent architecture, no matter what material and style

it is, can be enabling, comforting, inspiring and memorable if it is in

control of proportion and scale, and offers intimacy and generosity.”

Corobrik, the brickmaking giant has been supplying the Southern

African market for the past 115 years.

“Our bricks are as relevant today as they were a century back,

“said Musa Shangase, Corobrik Commercial Director. “We continue

to invest in our business to ensure we remain relevant and can

produce bricks, that are environmentally friendly, long lasting and

never go out of fashion.”