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222

Charles Pépin

2

The prosecutor officiates

on the stand in front of me

with his well-groomed hair.

He had to have already had

it that way when he was

doing his studies. Now, he

is 30 years older and 30

kilos heavier, but the hair

remains. It’s the start of the

afternoon, maybe he left an

ample lunch and he is dozing

a bit. Or else it’s a strategy,

a way of really showing the

overwhelming

character

that he is hearing so much

about. But each time the

judge asks him if he has any

questions, he replies simply:

“No questions.” I look at his

red and black robe, his white

scarf speckled with black and

his self-righteous appearance

and I tell myself that things

are clear. My lawyer speaks

from below; he is standing

and raises his head towards

the court. The prosecutor

observes everything from

above like an old lion that we

wait to see if he will move a

paw.

Not one paw moves but

there is a question from

the court. One of the two

magistrates surrounding the

judge addresses me. First,

he clarifies that he wishes to

leave the scene of the crime

and to go back, if I would

like, to the days leading up to

the crime – the death of my

mom, her funeral, the couple

of days between the funeral

and the crime. It annoys me

a little that he asked, “If I

would like” but either way,

the answer is yes, I would like

to. The judge approves and

he carries on with the same

courteous tone:

- Mr. Solaro, on the days

preceding the crime, you

found

yourself

in

the

particular situation of being

the master of ceremonies for