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2 15

BEST

PR

O

JECTS

72

CONSTRUCTION WORLD

DECEMBER

2015

Professional Services

C

Project information

• Company entering: AfriCoast

Consulting Engineers

• Project start date: 24 March 2014

• Project end date: 1 November 2015

• Client: The Port Elizabeth Opera House

• Main contractor: GVK-Siya Zama

Building Contractors

• Principal agent: The Matrix Urban Designers

and Architects

• Architect: The Matrix Urban Designers

and Architects

• Consulting engineer: AfriCoast

Consulting Engineers

• Project value: R27 360 000

Renovations and Additions to

The Port Elizabeth Opera House

Port Elizabeth’s much loved Opera

House is acclaimed as the oldest

theatre, not only on the African

continent but also in the southern hemi-

sphere. It is a national treasure, and its

expansion and renovation this year has been

sorely overdue.

AfriCoast was part of the Matrix Archi-

tects Consortium Joint Venture appointed

by the PE Opera House for the makeover of

the historical building.

Due to the sensitive nature of this

project, heritage approval for the construc-

tion work on this historical building was

sought and granted from the Provincial

Heritage Resources Agency well in advance.

The upgrade includes the construction

of an extended foyer and other renova-

tions such as damp damage repairs, office

upgrades, and replacement of carpets

and wallpaper.

In addition new heating, ventilation and

air-conditioning (HVAC) systems, lighting

and fire detection are being installed to

ensure that the PE Opera House is fully

compliant with the latest building and

energy regulations.

The original structure was wedged

tightly up against the rock in a space

specially carved for it out of the natural

sea-facing hillside. Careful preparation had

to be undertaken before excavation work

could commence in the restricted space for

extended structures to come.

The topography presented the team

with tight spaces and tricky heights: approx-

imately 10 m x 10 m, on a 12 m slope of more

than 45 degrees. Getting big machines into

that space for the excavations was a chal-

lenge and the stability of the embankment

was always a concern.

As the Opera House is a heritage site,

strict regulations were applied to the design

and construction work, and the architect

received official sign-off before work began.

As there was not sufficient leg-room for

theatregoers in the suspended Gallery, it

was decided to increase the size of each step

but reduce the number of rows.

It addition, it was discovered that the

existing timber work needed to be replaced

– the timber was split and over 100 years old,

and certainly did not meet SANS require-

ments. New timber supports were designed

and the original steel trusses retained.

Retaining and protecting as much of

the original finish as possible – from

pressed ceilings and tiles to ornate fretwork

– was critical to the project, because of its

heritage value.

All of these elements were never envis-

aged at tender stage, and there were many

variances to the original plan as the project

progressed, so to keep within budget and

time was certainly another large challenge

that the AfriCoast team has overcome. The

labour load was increased by as much as

three times in order to stay on track.

The size of this upstairs theatre area

needed to be increased – however, the rock

face is so close to the building that there was

simply no room for traditional extension

supports. Instead, innovative and modern-

looking suspended clip-on boxes were

designed to provide additional room.

The heavy steel support columns,

though, were found to be in the way of the

new fire escape, so they had to be shifted

around until they were no longer an obstruc-

tion. Now in place, they offer a chunky,

industrial aesthetic appeal that is in pleasing

contrast to the ornate Victorian character of

the original building.