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very few years or so you see a movie and know
that you’ve just witnessed the next evolution in
visual effects –
The Abyss
,
Jurassic Park
,
LOTR,
etc.
Dawn of the Planet of the Apes
continues the
progression, with advancements in motion capture
technology and CGI. The movie’s simian stars are fully
fledged characters, not special effects, and if you look
closely at the superbly rendered Caesar, you can see a
semblance of mo-cap performer Andy Serkis looking
back at you through the individual strands of fur. Weta
Digital have truly outdone themselves here, and so has
director Matt Reeves, melding cutting edge technology
with emotional resonance and a cracking good story to
deliver the best of this summer’s blockbusters.
Similarly – and at the same time conversely – we also
have
Transformers: Age of Extinction
, a movie that’s
all about the special effects. I’ve never liked these
films, but for some reason the fanboy inside me can
never resist some mega-budget robot biffo and grand
scale destruction (and like drinking too much, I always
seem to regret it afterwards). To his credit, Michael Bay
always apologises for the last installment and promises
that the next will be better. And while this fourth bit of
Bayhem offers more of the same (albeit longer), at least
there’s no Shia LaBeouf this time around.
With the holiday season rapidly approaching, now’s
the time to stock up on your favourite TV series box
sets so you’re ready to balance binge eating with binge
viewing over the festive season. There’s plenty out this
month including the final seasons of
True Blood
and
Mad Men
(the first half, at least), the second series of
the terrific
Vikings,
and newcomers
Fargo
and
Black
Sails
. It’s beginning to look a lot like Christmas.
If you haven’t heard about this brilliant and ingenious sci-fi thriller from
South Korean director Bong Joon-ho (
The Host
) and producer Park Chan-
wook (
Oldboy
), that’s not surprising. Inexplicably given a very limited
release both here and in the US,
Snowpiercer
can at last reach the wider
audience it deserves when it arrives on DVD and Blu-ray on 26 November.
The premise is a belter: a disastrous attempt to reverse the effects of
climate change results in an apocalyptic ice age, with the human survivors
of this big freeze safely aboard a perpetual train that circles the globe.
The haves live a life of luxury at the front of the train, while the have-nots
congregate in the overcrowded rear carriage. But revolution is afoot, with
those at the rear fighting their way through the train to take the engine.
Based on the French graphic novel
Le Transperceneige
and featuring an
international cast including Chris Evans, John Hurt, Song Kang-ho, Jamie
Bell, and Tilda Swinton as the train’s Thatcher-esque authority figure,
Snowpiercer
works both as a commentary on class struggle and a ripping
post-apocalyptic sci-fi yarn. This is one train you don’t want to miss.
ON MY
TO-WATCH
STACK
So much to view, so little time
...
These Final Hours
A speculative Aussie
apocalypse thriller that
makes us consider
how we’d spend our
last moments on Earth.
Probably not at a rave.
Deliver Us
from Evil
I’m always up for a
bit of blood-curdling
exorcism, especially
when it’s mixed with a
police procedural.
Sin City: A
Dame to Kill For
More stories from Frank
Miller’s monochrome
metropolis, with Eva
Green as an added
bonus. Hot Dame!
The Mule
Angus Sampson
co-writes, co-directs
and stars as a
busted drug mule
who won’t give up
the shit – literally!
SNOWPIERCER
DISC of the month:
0XX
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