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GAZETTE
MARCH 1992
arrangement to that prevailing in the
12th edition, the result of which is,
in effect, that the book has been
rewritten.
Prior to the passage of the 1988 Act
the law in the UK was covered by
the Copyright Act, 1956. As the 13th
edition rather acidly remarks of our
own Copyright Act, 1963: " I t has
considerable
resemblances to the
1956 Act." In fact the Irish Act has
been referred to with tongue in
cheek as a good example in itself of
breach of copyright. The only
substantial difference between the
1963 Act and the UK 1956 Act was
that the Irish government declined to
create a Performing Rights Tribunal
but instead vested the arbitration
arrangements in relation to the
statutory licences and the licensing
schemes with the Controller of
Industrial and Commercial Property
whose main occupation was to look
after the Patents Office. This was an
obvious cost cutting measure in the
expectation (until recently proved
correct) that the services of a
copyright tribunal would not be
much called upon in Ireland.
As a result, the law was very much
the same in Ireland as in the UK
until the passage of the 1988 Act in
the UK and the 12th edition is
therefore still vitally relevant to the
practitioner in Ireland today. The
13th edition does refer back to the
1956 Act for comparative purposes
but it is harder to read a textbook to
deduce the Irish position from
references to a position which no
longer prevails.
However, the new edition does
provide an excellent section on the
impact of the EC and the decisions
of the Court of Justice particularly
dealing with the cases involving
copyright collection societies. The
section on the copyright position in
the US is also extremely useful. It
gives to the practitioner as concise
an exposition as he is likely to come
across of the extraordinarily
complicated copyright position in
that jurisdiction which is the only
system where an effective copyright
registry is operated. The changes
brought about in the US in the mid
1970s brought the US copyright
arrangements somewhat more in line
with international practice and
various amendments since have
allowed for what must be one of the
most historic events in international
copyright protection viz the
accession of the US to the Berne
Convention in 1989 more than 100
years after the original Convention
was originally entered into.
The 13th edition has an excellent
appendix dealing with UK legislation,
US legislation and international
conventions. It has a short schedule
of precedents which would be of more
use to counsel rather than solicitors,
even in the UK as it is primarily
directed towards the drafting of
pleadings. Solicitors dealing with
copyright and entertainment law
contracts would be more inclined to
use the now very detailed precedents
in circulation amongst that relatively
small community in London and even
smaller community in Dublin with a
nod to Butterworths excellent
precedents.
The new edition is obviously to be
welcomed overall in anticipation of
the likely reform of the copyright
law in Ireland over the next few
years. As with many other areas of
law, law reform in this area in
Ireland is being driven by the very
rapid developments taking place in
Brussels. It is believed that a text
book on Irish copyright law is in the
offing from a member of the inner
bar, the only difficulty being the
prospect of almost immediate
obsolescence with the passage of a
new Act.
It is likely that a new Irish Act may
substantially diverge from the 1988
Act not only in recognition of some
of the difficulties which have arisen
in relation to it, but also in response
to the pressure from elements both
in the entertainment industry and the
EC in relation to such issues as the
blank audio tape levy which was not
introduced in the UK. There are
already a number of references
pending, or about to be filed, with
the Controller in Ireland, as well as
the very busy anti-piracy activity, an
increasing volume of work in the
areas of films, television and music
and the uses of copyright in
industrial and computer related
services. There is little doubt that
what was previously a much
neglected area will receive
considerably more attention in the
future.
James Hickey
Annual Review of Irish Law, 1990.
By R. Byrne and W. Binchy
[Dublin, The Round Hall Press,
1991, hardback, IR £65]
The writer of this notice was recently
pleased to write a brief recension of
the
Annual Review.
He wrote that the
multiplicity of laws (including case
law) would make Malthus stand
aghast. More than ever the law has
become an exacting profession
demanding of her devotees ever
increasing knowledge. The writer
concluded by stating that the
Annual
Review
provided a rich analysis on a
wide spectrum of law and should be a
treasured part of every lawyers's
library.
Sometimes the flexibility of language
is stretched by certain reviewers;
some reviewers have a facility for
euphemisms, optimistic cliches and
skilful literary camouflage which
must be read with some care. This
writer can state categorically that his
(humble) recommendation that the
Annual Review
should be a treasured
part of every lawyer's library was no
empty shibboleth.
This short notice is addressed to two
sets of readers. Those who possess a
copy of previous
Annual Reviews
should note that the present
Annual
Review
exceeds expectations. To
those who have never purchased a
copy of a previous review, the writer
will explain what the
Annual Review
attempts to achieve. The 1990
volume is the fourth in the series
and provides practitioners, academics
and students with an analytical and
perceptive account of the legal
output of the courts, the Oireachtas,
scholars and practitioners during the
year in question. Every decision of
the High Court, Court of Criminal
Appeal and Supreme Court is
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