110 / 330
110
600
MISCELLANEOUS
VALUABLE
RECEIPTS.
by
various
mixtures
:
black,
and
a
littll&
blue,
mixed
with
yellow
;
3'ellow
pink,
with
a
little
verdigris
and
lampblack
;
or
ochre
and
a
small
quantity
of
white,
will also
produce
a
kind
of
olive
colour.
For
dis-
temper,
indigo
and
j-ellow
pink,
mixed
with
white
lead
or
Spanish
white,
must
be
used.
If
veined,
it
should
be
done
with
umber.
Lead
colour.
—
Indigo
and
white.
Chestnut
colour.
—
Red
ochre
and
black
for
a
dark
chestnut.
To
make
it
lighter,
employ
a
mixture
of
yellow
ochre.
Light
timber
colour.
—
Spruce
ochre,
white,
and
a
little
umber.
JFlesh
colour.
—
Lake,
white
lead,
and
a
little
vermilion.
Light
Willow-green.
—
"White,
mixed
with
verdigris
Grass-green.
—
Yellow
pink
mixed
with
verdigris.
An
endless
variety
of
greens
can
be
obtained
by
the
mixture
of
blue
and
yellow
in
different
proportions,
with
the
occasional
addition
of
white
lead.
Stone
colour.
—
White,
with
a
little
spruce
ochre.
Lark
Lead
colour.
—
Black
and
white,
with
a
little
indigo.
Fawn
colour.
—
White
lead,
stone
ochre,
and
a
little
vermilion.
Chocolate
colour.
—
Lampblack
and
Span-
ish
brown.
On
account
of the
fatness
of
the
lamp-
black,
mix
some
litharge
and
red
lead.
Portland
Stone
colour.
—
Umber,
yellow
ochre,
and
white
lead.
The
varieties
of
shades
of
brown
that
may
be
ob-
tained
are
nearly
as
numerous
as
those
of
green.
To
imitate
3Iahogany.
—
Let
the
first
coat
of painting
be
white
lead,
the
second
orange,
and
the
last
burned
umber
or
sienna;
imitating
the
veins
according
to
your
taste
and
practice.
To
imitate
Wainscot.
—
Let
the
first
coat
be
white,
the
second
half
white
and
half
yellow
ochre,
and
the
third
yellow
ochre
only.
Shadow
with
umber
of
sienna.
To
imitate
Satin-icood,
—Take
white
for
your
first
coating,
light
blue
for