ARCHITECTURE
Eternal India
encyclopedia
Throughout this historical account it is evident that the fortifica-
tion of cities and towns was common in the ancient times in India.
The elevated terrain was strategically important for controlling the
surrounding territory and hence it was found suitable for building
forts. All the hill forts were necessarily built near a source of water
since in case of a prolonged enemy siege the scarcity of water
proved suicidal and often necessitated the surrender of the fort to
the enemy.
The
Sivatatva Ratnakara
is another important work compiled in
south India towards the end of the 17th century. The author of this
work, Basava Bhupala (1684 to 1710) was the ruler of the Keladi
kingdom which ruled from about 1500-1763 A.D. in the area corre-
sponding to the entire coast of Kanara from Goa in the north to
Cannanore in the south as also parts of the Shimoga district of
Karnataka. The
Sivatatva Ratnakara
has an interesting chapter on
the use and construction of fortresses. A king without a fort is
compared to a snake without poison and an elephant without its rut.
Here nine fortresses are mentioned adding three more to the clas-
sical six of the
Mahabharata.
According to this, mountain and water
forts are the best, while Danudurga and Naradurga belong to the
inferior kind.
WEAPONS
The
Agnipurana
classifies weapons as 1)
Yantramukta :
weapons launched by machines; 2)
Panimukta
: weapons released
manually; 3)
Muktasandharita
: weapons thrown and drawn back;
4)
Amukta
: weapons which are not thrown; 5)
Bahuyuddha
:
Personal combat by the body and arms.
Fortified wall and gates were most important in the protection
of the city and a number of weapons were thrown at the enemy from
these walls and from the galleries provided above the gates. Some-
times the city was surrounded by a number of walls for additional
security and protection. Kautilya advises the construction of more
than one city wall. He says that parapets in odd and even numbers,
and with an intermediate space of 12 to 24 hastas from each other
should be built above the ramparts. Raja Bhoj in his Samarangana
Sutradhara also advocates the provision of multiple city walls.
Meghasthenes informs us that the city of Pataliputra was sur-
rounded by three walls; such fortified walls and the moats encircling
them presented the most formidable obstruction for invading ene-
mies.
For strengthening fortifications, the walls were provided with
deadly weapons. From the Indian epics we learn that they were
guarded by sataghnis and darts. The
Ramayana
says that Ayodhya
has sataghnis and darts. Likewise the city of Hastinapura and
Indraprastha were also guarded by sataghnis. The walls of the city
of Indraprastha were furnished with thousands of sharp hooks and
sataghnis and numerous other weapons. In southern cities also the
walls were provided with deadly weapons of attack. We are told
that on the battlements of the city of Vanji also were mounted
various mechanisms to throw missiles on those who attacked the
fort. In the centre of the walls there were places constructed for
stationing deadly weapons of offence and defence. Kautilya enu-
merates the names of weapons like spades, axes, varieties of
staffs, cudgels, hammers, discus, sataghnis, spears, tridents and
bomboo sticks with pointed edges made of iron. He also recom-
mends the collection of stones and explosives on the ramparts. It is
evident that some of these weapons are meant ft) engage enemies
from a distance with some being hurled at them from the ramparts,
to prevent them scaling the city walls. It is evident that the im-
provement in the firing range and the firepower of guns and cannons
necessitated further strengthening of the fortifications of cities and
forts. As a result of development in cannons their length and
weight also increased, thus necessitating firm base for mounting
them and also provision of ramps along with the ramparts.
Kautilya has stated that pedestals should be provided for
sataghni and other missiles. The term he uses for these pedestals
is
'Indra Kosa'.
The small holes and embrasures were meant for
bows, arrows and muskets. The width of the rampart was governed
by the fact that behind the row of arches and gunners close to the
outer veneer of the wall, the second line of soldiers were there to
throw other weapons mentioned earlier on the approaching enemy.
The archers and those who operated the musket took the shelter of
toothlike mereons to protect themselves from the enemy fire; the
other soldiers behind them flung their weapons on the enemy in
quick action and withdrew themselves to avoid being hit by the
enemy and also to replenish their own stock of weapons. In addition
to these two rows of warriors on the rampart, sufficient space was
provided for the movement of troops which replaced the casualties
and also for the movement of those who carried the wounded
soldiers to a safer place for medical treatment.
The weapons which had the most profound and significant
impact in the art of warfare and the defensive fortifications were
undoubtedly the guns and cannons which are frequently referred to
in ancient Indian works.
It appears that guns and cannons were in vogue in India during
the medieval period. In the twelfth century we find pieces of
ordnance being taken to battle fields in the armies of Prithviraj.
From the devastating effect of these weapons it is evident that
gunpowder must have been used in their weapons. Thus gunpow-
der was known to the ancient Indians. The Sanskrit word for
gunpowder is
Agnichurna,
(firepowder), which is occasionally
shortened into
Churna.
Another important material which had a considerable impact on
the design and development of fortifications was the use of hot oil
and water in the battles around the fort. Hot oil and water were
poured on the invading army during its final assault on the fort by
scaling the fort walls. Holes for this purpose were provided in the
fort walls at regular intervals and also on the fort gates. Meghas-
thenes and other Greek writers also mention use of oil during the
sieges.
Five methods were employed to capture the enemy fort during
siege operations. They were intrigue,
'apasarpan'
or pretending to
retreat,
'vamanam'
or winning over the people,
'paryvasanam'
or
actual siege and
'avamartha'
or taking by assault.
Various methods by which enemy forts could be captured are
discussed in detail in the 13th book of Kautilya's
Arthashastra.
Painters, carpenters, heretics, active merchants and other dis-
guised spies may first be planted inside the enemy's fort. When the
enemy's subjects assume the offensive, the invader might destroy
their crops, water resources and stores, cut off their communica-
tions and place all kinds of obstructions in their path. During the
actual operations of the siege, the ditch surrounding the ramparts of
a fort, if empty, should first be filled by the besiegers with water and
with mud and sand if it contained water. Then reaching the outer
walls of the parapet, and finding them strongly guarded with well-
equipped warriors, machines, explosives and other material might
be used to bring down the walls by assault. In the meantime, the




