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The left hand should be in Push-

paputa hasta, one foot should be in Agrat-

ala sanchara i.e., the heel should be raised

and the leg should rest on the first toe. One

side should be in

Sannata

i.e., bent to one

side.

Both hands should be held with the

palms outward in front of the thighs. The

hands are crossed at the wrist as in Svas-

thika over each other, then they are sepa-

rated over the chest, raised and placed on

the thighs.

3.

Valithorukam

The hands should be in

Sukathunda

hasta

and should be held in and out. The

thighs should be a little apart with the knees

bent.

4.

Apaviddha

The right hand in

Sukathunda

should be placed on the right thigh. The

left hand should be held near the left breast

in

Katakamukhahastha.

5.

Samanakha

Standing in

Samapada,

both the

hands should be let down on both sides.

Body should be in normal posture.

KARANAS

COSMIC SHIVA 108 BHARATHA POSES

The term “

Karana

” means act of doing or producing any action.

Classical dances of all types admit of many

Karanas. Karanas

are

co-ordination of movements of the hands and the feet. Bharata in

his

Natyasastra

defines

Karanas

as the combined movements of

the hands and the feet. According to

Natyasastra, karanas

are

108 in number.

8.

Nikuttaka

The dancer should touch the floor

with the heels and the hands must move

between the head and shoulders.

9.

Ardhanikuttaka

This is just the half of

Nikuttaka.

One hand touches the shoulder while

one heel stamps the ground. The hands

must face each other.

10.

Katicchinham

The hip should be moved grace-

fully to the left and right. The hands are in

Pallava mudra.

This should be repeated

two or three times.

11.

Ardharechitha

The hands are in

Suchimukha

mudra

with the feet stamping the floor.

One side reposes in Sannata (one side

bent.)

12.

Mandalaswasthika

Standing in the

Mandala

posture

the hands holding

Swasthika mudra

with

the palms turned up at the same time facing

front.

6.

Lina

Both hands in

Pathaka mudra

are

placed on the chest as in

anjali hasta.

Neck

is slightly bent forward with both shoul-

ders bent a little.

Both hands holding

Swastika

hasta

are crossed each other, rotated

upwards and over separated and placed

on the hips.

7. Swasthikarechitha

Eternal India

DANCE