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BIOFORE

Think big, think differently

Other new paper launches such as

UPM Impresse and UPMReCat are

similarly the fruit of a paradigm-chal-

lenger mindset. “We asked ourselves

why couldn’t we produce a beau-

tiful, high-bulk uncoated product

for rotogravure and HSWO printing,

or a high-bright magazine product

made from recycled fibre. Just

because it hasn’t been done in the

past doesn’t mean it couldn’t,

shouldn’t or wouldn’t be done in

the future.”

For many years now, UPMhas

been practicing what Bousios is

preaching in the field of side-

streams and the circular

economy. “A beautiful

example is the Cinerit

business from our

Central Europeanmills,

which utilises ash from

deinking sludge inciner-

ation as a soil stabiliser,”

says Varvemaa.

“It’s all about

changing the way

we think. Instead of

getting rid of ‘waste’

the cheapest possible

way, we critically

review the material and

energy streams of our

processes, and utilise

everything either in

our own processes or in

some other business as

rawmaterial,” explains

Varvemaa.

Besides promoting a zero-emis-

sion, zero-waste society, harnessing

of sidestreams promises to open up

many business opportunities as soon

the technologies mature a bit further,

predicts Varvemaa.

He believes the research done at

UPMwill benefit the entire industry.

“We truly believe the bio-based

economy is the winner of tomorrow.

and Changsu, China to

create sustainability-driven

innovations with a strong custom-

er-oriented approach.

“We need to be

humble enough

to understand our

customers’ needs and

yet bold enough to

suggest eco-solutions

we truly believe will

help them,” he says.

He names UPM

Valor – the magazine

paper you are holding

now – as a prime

example of a recent

customer-driven

innovation. This revo-

lutionary high-end

paper – 15% lighter

than similar grades

– answers a long-

standing customer

request: ‘The current

quality is good. Can I have it cheaper?’

“We took apart the paper’s charac-

teristics and figured out it’s actually

the ‘optics and haptics’ that define

quality, not weight. Some people may

like the loud thud of a magazine when

you drop it on the table, but in terms

of rawmaterial utilisation, the extra

weight is unnecessary. This is a great

example of how eco-design helps print

stay competitive,” says Varvemaa.

Jonna Kuusisto